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Howdy, 9'r. Here's a link to my favorite Rumble 40s 2x10" stack, but it's not really what you're asking about since one of them is a Rumble Studio 40 with FX Loops.
No, the regular Rumble V3 40 only has an XLR Out to send its signal to another amp's input, so you need a special adapter for that. And that certainly won't let the first amp control the gain/vol/tone of the second amp. You still have to adjust all EQ and volume on the second amp. Sorry, I don't have any links to Rumblers who have done this, but some have. Try it!
That's probably why chaining two R100s, as the lightest, cheapest Rumbles with FX Loops, has become so popular here. For many years an instrument cable from FX Send of one to FX Return of another lets the first amp's knobs control both amps!
But, lately we've learned of a kink in this plan. 
Some Rumble 100s (only R100s, and maybe not even all R100s) are being produced with an alternate power supply and amp module that moves the Master volume control downstream of the FX Loop, so that it can't control the FX Send signal level! (It also adds a Pre/Post button to the XLR Out.) But the FX Send to FX Return chaining still works, you just have to set the Master for each amp.
Followup questions? Fire away!
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I'll leave that to Gridley(when he's ready).Howdy, 9'r. Here's a link to my favorite Rumble 40s 2x10" stack, but it's not really what you're asking about since one of them is a Rumble Studio 40 with FX Loops.
No, the regular Rumble V3 40 only has an XLR Out to send its signal to another amp's input, so you need a special adapter for that. And that certainly won't let the first amp control the gain/vol/tone of the second amp. You still have to adjust all EQ and volume on the second amp. Sorry, I don't have any links to Rumblers who have done this, but some have. Try it!
That's probably why chaining two R100s, as the lightest, cheapest Rumbles with FX Loops, has become so popular here. For many years an instrument cable from FX Send of one to FX Return of another lets the first amp's knobs control both amps!
Some Rumble 100s (only R100s, and maybe not even all R100s) are being produced with an alternate power supply and amp module that moves the Master volume control downstream of the FX Loop, so that it can't control the FX Send signal level! (It also adds a Pre/Post button to the XLR Out.) But the FX Send to FX Return chaining still works, you just have to set the Master for each amp.
Followup questions? Fire away!
Well, the white, silver, and black of their Fendery eyes!
I’ve noticed that there’s been a substantial shift in the attitude to Rumbles in the past few years.
It used to be that Rumbles were viewed as cheap entry level amps, but this has changed - it seems that Rumbles are now viewed more as great budget workhorses, which is certainly the case (I see them as more than that, but it’s definitely not wrong).
It just goes to show that it just takes a while for everyone to realize what we’ve known all along - Rumbles are great!
It used to be that Rumbles were viewed as cheap entry level amps, but this has changed - it seems that Rumbles are now viewed more as great budget workhorses, which is certainly the case (I see them as more than that, but it’s definitely not wrong).
It just goes to show that it just takes a while for everyone to realize what we’ve known all along - Rumbles are great!
This sometimes happens with certain types of revolutionary products. When theee came out, if an amp didn't weigh much or cost much (per watt), one assumed it was the budget line, and therefore more entry level, or at least not for anyone serious about their gear.I’ve noticed that there’s been a substantial shift in the attitude to Rumbles in the past few years.
It used to be that Rumbles were viewed as cheap entry level amps, but this has changed - it seems that Rumbles are now viewed more as great budget workhorses, which is certainly the case (I see them as more than that, but it’s definitely not wrong).
It just goes to show that it just takes a while for everyone to realize what we’ve known all along - Rumbles are great!
Ummm, ... aah, ... 
Guilty, as charged. Yeah, I could feel ya looking at me, Jake. 
Well, just look how the solid state V1 Rumbles started in 2003 (never mind the mid-'90s all-tibe Fender Custom Rumble head & 410 cabs & subs): "15 watt 1x8; 25 watt 1x10, 60 watt 1x12, and 100 watt 1x15. These were covered in the black carpeting popular at that time along with black metal protective grills along with unique ‘Fender Bass Amplification’ badging for a modern industrial look." Admittedly not the most exciting, powerful amps in the stores. And I was already rockin' a seriously professional Fender Bassman 150 combo by then!
Even the initial 2010 V2 Rumbles seemed merely evolutionary to the V1s with "15 watt 1x8; 30 watt 1x10, 75 watt 1x12, 150 watt 1x15", though the very powerful 350 watt 2x10 raised some eyebrows. Not until the 2011 V2 Rumbles 350 watt head and the 250 watt 1x12" Neo cab and 250 watt 2x8" Neo cab did I actually look at, and consider, them in stores! But, by then I had added a very serious Fender Bassman 250 to my arsenal which, chained to the 150, was a force to be reckoned with!
Yes, I agree that things have changed. But it hasn't been overnight! It's been a story of greatness in the making. The V1 & V2 reputations were built on stellar performance in the beginner/practice amp market. The 350s were a little known step toward serious pro level performance.
But in 2014 the V3 Rumbles made a tremendous advance in performance, looks and weight, from just beginner/practice to mainstream bass applications, with the 500 combo & head leading the charge. (I've recounted my own Rumble 500 combo enlightenment here often.) They became an exceptional value line of heads, cabs & combos with something for everyone, still unmatched by the competition today. They even put Fender's premium Bassman line out of the combo business! And the newer Rumble 800 combos and head just double down on the power & value of Rumbles.
... ... ... It just goes to show that it just takes a while for everyone to realize what we’ve known all along - Rumbles are great!
But, I must say I was absolutely shocked, shocked!, I tell you, to see the Studio 40 & Stage 800 modeling combos branded as Rumbles!!! Fender's first two generations of bass modeling amps were not Rumbles. Why the change? That's why I challenged the Rumble V3 status of these clearly different combos, but I was rebuffed. Oh, well, ... All Hail the Modeling Rumble V3 Combos! Long may they wave!
Rumble On!
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All I know is that when I was looking for an amp that would work for practice and small venues at a reasonable price, the Rumble 100 was the most popular choice among bassists I knew and trusted. When I found a lightly used one at a local GC for a good price, I went for it, knowing I could return it. I haven't regretted that, and now typically play through two daisy-chained R100v3s.
Well, just look how the solid state V1 Rumbles started in 2003 (never mind the mid-'90s all-tibe Fender Custom Rumble head & 410 cabs & subs): "15 watt 1x8; 25 watt 1x10, 60 watt 1x12, and 100 watt 1x15. These were covered in the black carpeting popular at that time along with black metal protective grills along with unique ‘Fender Bass Amplification’ badging for a modern industrial look." Admittedly not the most exciting, powerful amps in the stores. And I was already rockin' a seriously professional Fender Bassman 150 combo by then!
Even the initial 2010 V2 Rumbles seemed merely evolutionary to the V1s with "15 watt 1x8; 30 watt 1x10, 75 watt 1x12, 150 watt 1x15", though the very powerful 350 watt 2x10 raised some eyebrows. Not until the 2011 V2 Rumbles 350 watt head and the 250 watt 1x12" Neo cab and 250 watt 2x8" Neo cab did I actually look at, and consider, them in stores! But, by then I had added a very serious Fender Bassman 250 to my arsenal which, chained to the 150, was a force to be reckoned with!
Yes, I agree that things have changed. But it hasn't been overnight! It's been a story of greatness in the making. The V1 & V2 reputations were built on stellar performance in the beginner/practice amp market. The 350s were a little known step toward serious pro level performance.
But in 2014 the V3 Rumbles made a tremendous advance in performance, looks and weight, from just beginner/practice to mainstream bass applications, with the 500 combo & head leading the charge. (I've recounted my own Rumble 500 combo enlightenment here often.) They became an exceptional value line of heads, cabs & combos with something for everyone, still unmatched by the competition today. They even put Fender's premium Bassman line out of the combo business! And the newer Rumble 800 combos and head just double down on the power & value of Rumbles.
...
No offense intended, @G-Dog!
Well, just look how the solid state V1 Rumbles started in 2003 (never mind the mid-'90s all-tibe Fender Custom Rumble head & 410 cabs & subs): "15 watt 1x8; 25 watt 1x10, 60 watt 1x12, and 100 watt 1x15. These were covered in the black carpeting popular at that time along with black metal protective grills along with unique ‘Fender Bass Amplification’ badging for a modern industrial look." Admittedly not the most exciting, powerful amps in the stores. And I was already rockin' a seriously professional Fender Bassman 150 combo by then!
Even the initial 2010 V2 Rumbles seemed merely evolutionary to the V1s with "15 watt 1x8; 30 watt 1x10, 75 watt 1x12, 150 watt 1x15", though the very powerful 350 watt 2x10 raised some eyebrows. Not until the 2011 V2 Rumbles 350 watt head and the 250 watt 1x12" Neo cab and 250 watt 2x8" Neo cab did I actually look at, and consider, them in stores! But, by then I had added a very serious Fender Bassman 250 to my arsenal which, chained to the 150, was a force to be reckoned with!
Yes, I agree that things have changed. But it hasn't been overnight! It's been a story of greatness in the making. The V1 & V2 reputations were built on stellar performance in the beginner/practice amp market. The 350s were a little known step toward serious pro level performance.
But in 2014 the V3 Rumbles made a tremendous advance in performance, looks and weight, from just beginner/practice to mainstream bass applications, with the 500 combo & head leading the charge. (I've recounted my own Rumble 500 combo enlightenment here often.) They became an exceptional value line of heads, cabs & combos with something for everyone, still unmatched by the competition today. They even put Fender's premium Bassman line out of the combo business! And the newer Rumble 800 combos and head just double down on the power & value of Rumbles.
But, I must say I was absolutely shocked, shocked!, I tell you, to see the Studio 40 & Stage 800 modeling combos branded as Rumbles!!! Fender's first two generations of bass modeling amps were not Rumbles. Why the change? That's why I challenged the Rumble V3 status of these clearly different combos, but I was rebuffed. Oh, well, ... All Hail the Modeling Rumble V3 Combos! Long may they wave!
Rumble On!
It just occured to me that it hasn’t been necessary to rush to the defense of Rumbles or rumblers lately, and where Rumbles were previously sneered at, they are now spoken of in a positive way. Some things, at least, are improving!
I have been using my Rumble 100 exclusively at gigs for over two years now. At home for practice, I am using the Crown and Fearful 15/6 - upside down world!
My new practice amp got it for only $149 used at the local GC, wasn’t planning to upgrade but i’ve been learning for a about 6 months on a rumble 15 and this is much nicer
My new practice amp got it for only $149 used at the local GC, wasn’t planning to upgrade but i’ve been learning for a about 6 months on a rumble 15 and this is much nicer
Hey, you're only new once! @newonce, you are now member #1826 in the Fender Rumble Club. Congratulations and welcome to TalkBass in general and to The Club in particular! Put that number in your TalkBass Signature for safe keeping. Then make yourself at home here and on your Rumble Club Wiki page, the repository of all Rumbling wisdom and knowledge.
That's a very nice V1 Rumble 100 ya got there! But, I gotta ask, does the cool pulsing red lights in the port still work? I just love that!! But, also, is your Rumble 15 a V1, V2 or V3? No reason, just curious.
So, how about telling us a bit about yourself, newby, such as your bass experience in general and your Rumble journey in particular? You'll fit right in here since we have all kinds. But we all love to ... ... ...
Rumble On!
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Also, oncey, here's a link to the TalkBass Clubs and Special Interest Groups INDEX so you can find any others you may be interested in.
I'm now a member, as I picked up a Rumble 40 today. So far I'm digging it, and it's my first proper bass amp. (I was mainly using a Vox AmpPlug).
Congrats, @Sertsa ! Enjoy the Rumble. It's a great little amp (I've got two of them).
Yeah, y'are! @Sertsa, you are now member #1827 in the Fender Rumble Club. Congratulations and welcome to TalkBass in general and to The Club in particular. Put that number in your TalkBass Signature for safe keeping. Then make yourself at home here and on your Rumble Club Wiki page, the repository of all Rumbling wisdom and knowledge.
So, how about telling us a bit about yourself,Serty, such as your bass experience in general and your Rumble journey in particular? You'll fit right in here since we have all kinds. But we all love to ... ... ...
Rumble On!
Thanks! I gave some background in the new members forum, but I'm new to bass and have been playing for about a week. I've played guitar for quite a while now, but plateaued somewhere at intermediate or so. I also play some piano/keyboards. My main instruments in my gigging musician/music school days were sax and clarinet. I also worked as a mastering engineer in the 90s before going back to school to refocus on other things.
I've long wanted to play bass and finally got around to it. I first went looking for a bass, which had a couple turns, but I have a Squier Vintage Modified 77. I'd been playing through an AmpPlug and especially like the drum loops. I was thinking about getting a cabinet with a bass-appropriate speaker for one of my guitar amps but saw the Rumble 40 was about the same price and is quite good.
I found your introductory thread, Sertsa, with the link to the photo of your Squire Jazz Bass. That should be a very fine companion to your Rumble 40. Although some people think the 40 is too small for gigs I, and several others here, can assure you that it can keep up quite well in several musical combos! Good luck with your bass exploits.
Thanks. I'm not thinking of gigs anytime soon, but maybe some jams. I'm pretty certain this will do quite well for that while sounding full at low, bedroom volume. (An aside: back in my audio engineering days with an occasional sound gig, I preferred smaller amps I could mic, but I'm aware those kinds of set-ups aren't possible in many places.)I found your introductory thread, Sertsa, with the link to the photo of your Squire Jazz Bass. That should be a very fine companion to your Rumble 40. Although some people think the 40 is too small for gigs I, and several others here, can assure you that it can keep up quite well in several musical combos! Good luck with your bass exploits.
I dug out my old iPad--with a headphone jack and GarageBand--plugged it into the auxiliary, and played with drum loops. Very cool feature.
