The 100 can hang with a drummer if they aren't hammering the skins. I have used mine with no PA support for some modern country gigs (meaning the guitars use distortion and tunes can rock).
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I too want a v3 40 to replace my v2 Rumble 15, hopefully soon. I had a 100 for a couple weeks, loved it, sounded great. I played one gig, and then took it back for the 200 though. I really needed the extra volume and being able to add a Rumble 112 cabinet really made a huge difference, plus I have the line out if needed. All that said, I'll say to date, all the new Rumble products are excellent, you can't go wrong either way.
It's quite obvious -- even to the casual reader -- that each of us needs to buy every Rumble amp and speaker cabinet starting with the Rumble 40 on up.
It's the only way to be sure.
It's the only way to be sure.
Just had a look at some photos of a Rumble 40; it seems to have a "line out" port on the back. Is that to be able to connect to another cab? Is that the port that is missing from the Rumble 100 combo?
Edit: ok, I've misunderstood. They both have XLR out.
What does XLR allow you to connect to? A P.A.?
So what is it that is on the 200s that allow another cab?
If there is a beginners listing of amp terms and abbreviations somewhere feel free to post a link so I don't derail the thread more than I already have.
Edit: ok, I've misunderstood. They both have XLR out.
What does XLR allow you to connect to? A P.A.?
So what is it that is on the 200s that allow another cab?
If there is a beginners listing of amp terms and abbreviations somewhere feel free to post a link so I don't derail the thread more than I already have.
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Yes. XLR is to PA. The 200 also has a 1/4" out for an extension cab. The 100 doesn't.
Dear Rumble Club, I have sought your expertise specifically as I am very interested in the V3 Rumbles but unsure as to which model will suit my needs.
I'm (sorry to say) a 6 string player playing in a 2 piece heavy rock band, currently splitting my signal via an ABY pedal into a 2x12 guitar combo amp and also an EHX POG2 dropping down an octave into an up-til-now hired from practice studio bass amp - usually a Orange bass terror into a 4x10.
As our first gigs creep up on us the need for my own amp is pressing, and a combo with the convenience and tone of the Rumble appeals. The hired practice terror is possible too much power for my needs, so I'm wondering which of the 100 or 200 will be best for the live environment. My drummer (and the music we play!) is loud, but there will be times in songs I'll only want the bass signal coming through so don't want to be under-gunned - I appreciate they both have DI's which is ideal.
Hope you can help!
Best Wishes
Tandark
UK.
I'm (sorry to say) a 6 string player playing in a 2 piece heavy rock band, currently splitting my signal via an ABY pedal into a 2x12 guitar combo amp and also an EHX POG2 dropping down an octave into an up-til-now hired from practice studio bass amp - usually a Orange bass terror into a 4x10.
As our first gigs creep up on us the need for my own amp is pressing, and a combo with the convenience and tone of the Rumble appeals. The hired practice terror is possible too much power for my needs, so I'm wondering which of the 100 or 200 will be best for the live environment. My drummer (and the music we play!) is loud, but there will be times in songs I'll only want the bass signal coming through so don't want to be under-gunned - I appreciate they both have DI's which is ideal.
Hope you can help!
Best Wishes
Tandark
UK.
I feel the 500 combo would best suit you, but would not consider anything below the 200.
No need to apologize as far as I am concerned. I do a similar thing; I describe it in my profile. You might get some good information there. I split my signal four ways.
I use a Bose system in a one man band situation, but I would use my Deluxe Reverb and my Rumble 200 in a band situation without hesitation. But like Bodeanly says, a 500 might be a better choice if you want to be sure. I never want to play much louder than the 200, but when I have, I went to the FOH and it was phenomenal! Nothing less than the 200 is good solid advice for a heavy rock band.
When I play bass, it is the 100 for small intimate gigs, the 200 if I want to put out the bass that gets people out on the floor. Glad you decided to Rumble!
I use a Bose system in a one man band situation, but I would use my Deluxe Reverb and my Rumble 200 in a band situation without hesitation. But like Bodeanly says, a 500 might be a better choice if you want to be sure. I never want to play much louder than the 200, but when I have, I went to the FOH and it was phenomenal! Nothing less than the 200 is good solid advice for a heavy rock band.
When I play bass, it is the 100 for small intimate gigs, the 200 if I want to put out the bass that gets people out on the floor. Glad you decided to Rumble!
@Linnin or anybody, do you know if changing out the pots myself is doable? What else can I do?
To me, as a standalone combo, the 200 is just as loud as the 500. I've had both and I think they sound very similar.
But when you are powering a second cab, then the 500 gives you a lot more watts to play with. If you don't think you'll be doing that, however, the 200 provides a great value.
But when you are powering a second cab, then the 500 gives you a lot more watts to play with. If you don't think you'll be doing that, however, the 200 provides a great value.
I wouldn't even worry about the scratchy master knob. It only gets scratchy sounding when there is an actual audio signal going through it. So unless you're playing bass and twisting this knob at the same time, it shouldn't cause any problems. Mine is the same. Doesn't bother me any. But hey, that's just me.
Yeah I don't get why people are complaining about pots that only scratch if you're playing through the amp. What are the musical implications of such?
This is my second 500 to do this. The first one would have been okay, but the one I have now has no lower volume at all. It makes it impossible to play through at practice levels.
Cut the gain completely, then turn up the master until you get a decent practice volume. You could also adjust the volume on your bass. There's also a headphone jack. I feel your pain, man... But I've chosen to live with it.
A good technician (of which I am not) can simply identify the offending pot and see if another better made part can be fitted in it's place. Fender hasn't yet put any Rumble V3 schematics online as they did for V1 & 2 Rumbles. So that is what would have to happen. Be aware this will also void your warranty.
Hi guys, newbie question here, I'm looking at the rumble 25 and 40, mainly for bedroom use, and was wondering if it's worth going for the 40 due to the extra channels and eq controls? not he flip side, would a broncho be more suited to my needs? I'm trying to avoid modelling amps due to the fact that I want to use pedals, (I have a bass big muff at the moment), and I know I will spend more time tweaking amp models etc. than playing so the rumble would focus me a bit better so to speak. Ideally I would like a decentish overdrive sound without relying on a pedal, the muff is fun, but extreme.
I'm playing a Mexican std p bass.
Thanks
I'm playing a Mexican std p bass.
Thanks
My Rumble 100 is also scratchy, when powering up and when there is a signal going through it.
I tried lubricating, didn't help, only made the knob feel way looser than the other ones.
Well, you wouldn't expect a brand new amp to do so, would you?
I kind of accepted it but would prefer no scratching sounds.
Also, I'm wondering if it will become worse in a couple of years.
I don't know if the other knobs use the same type of pot but it wonders me why only the master volume is scratchy and the others are not.
