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Fender Rumble Club

Hello guys and pals,
count me in the club. I'm the new owner of a brand new Rumble 200 combo.
My trusty BG250 died a week ago and I was looking for a head to couple to the BG250 cab. I tried the Rumble 200 combo and really liked what I heard. Volumewise it seems to be roughly in the same camp. And I never pushed my BG250 volume more than half. So it's like the Rumble 200 will be enough for my needs.
Welcome to the Fender Rumble Club, tico107! :woot: You are member #517 :hyper:

I still have the BG250 cab which is a 15" in a box roughly the same volume as the Rumble 200. The speaker is rated 4 Ohms so I can't couple it to the Rumble 200.
Anybody knows which speaker is used in the Rumble 200 or what equivalent is supplied by Eminence ?
The closest woofer is going to be [Invalid or Expired Link Removed]
:bassist: Rumble Forth! :bassist:
 
Linnin - Haven't used it at all since the episode 2 Sundays ago. I'll be pulling it out tomorrow and giving it a light workout, but I'm assuming that since it worked fine after 'rebooting' that it will be OK. I will be testing it extensively before the next show, which runs the best part of December. I'll also have 4 nights of intense rehearsals immediately before that show to decide whether to trust it or send it in for service. If it's a no-go, I've got an ***eg rig that will fill the void. Not trying to yank your chain - I just happen to like both of these amps for different reasons. I don't take every shot on the golf course with the same club, so that philosophy extends to my musical playing also.

Let us know. I also suspect it was just the amp protecting itself. The reboot would be normal. My Bose L1_1s has done the same thing twice. Both times I have blamed the venue's faulty wiring because both times the wiring was iffy, to say the least. The Bose reboots itself though.

As far as the ***eg rig goes, a lot of us have no problem with owning different equipment. I would own one of everything if I could. I'm not down on ***eg, I just like Fender better. I've had plenty of ***egs. Their discontinued B100R is still one of my favorites of all time. Best bass amp I ever played through until I bought my V3 200 Rumble. My V3 100 is my bedroom/practice/small gig amp. The 200 is my main amp now. I might even end up with a 500 for outdoor events. I was even looking at the v3 15 Rumble last week. And the 25. Nothing compares with the 200 and its 15 for me though.
Why are you guys "hiding" Ampeg? Are people here really that sensitive?
 
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I just ordered DR Fat Beams for my Jazz V. Still curious about your Pressurewounds also. If you posted about the results elsewhere, please let me know so I can read it.
I haven't written a review yet, but I'll post a link when I do. Fat Beams also have a variation on a compression wind of the wrap wire, and are the stringset for slap. Pressurewounds are darker with a deeper low mid growl, and a thicker overall tonal texture. Fat Beams have an intense high mid snarl and are very bright. They are also more flexible due to their round core.
 
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Hello guys and pals,
count me in the club. I'm the new owner of a brand new Rumble 200 combo.
My trusty BG250 died a week ago and I was looking for a head to couple to the BG250 cab. I tried the Rumble 200 combo and really liked what I heard. Volumewise it seems to be roughly in the same camp. And I never pushed my BG250 volume more than half. So it's like the Rumble 200 will be enough for my needs.
What decided me to buy it is that a guitarist entered the test room to try a Les Paul with a Tube Marshall Combo. So I asked if we could play a bit together to let me hear how the Rumble 200 tone would react with heavy guitar. And I have to say I was really pleased. The low end is tight which I like a lot.
I am not yet fond of the overdrive circuit, but I tried it quickly. And I am a bit spoiled by my pedal borad on which I have all I need from light grit to heavy fuzz.
I will not have the opportunity to test my new combo with my band before a few days... I feel impatient.

I still have the BG250 cab which is a 15" in a box roughly the same volume as the Rumble 200. The speaker is rated 4 Ohms so I can't couple it to the Rumble 200.
Anybody knows which speaker is used in the Rumble 200 or what equivalent is supplied by Eminence ? It could be a cheap solution for me to get a second cab to plug to my combo just by replacing the speaker of the BG250 and adjusting the tuning if needed.

I think by the time you are done with finding and swapping out a speaker, you'll have spent more money and time and have an inferior (or at least unpredictable) sound than if you had sold the old cab and bought a Rumble 15. or even a used Rumble 15. I'm a tinkerer, builder and tweaker, and even so, I'd buy a new rumble 15 rather than trying to mod the old one. It's just too unpredictable. buy one from GC and if you don't like it, return it.
 
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I haven't written a review yet, but I'll post a link when I do. Fat Beams also have a variation on a compression wind of the wrap wire, and are the stringset for slap. Pressurewounds are darker with a deeper low mid growl, and a thicker overall tonal texture. Fat Beams have an intense high mid snarl and are very bright. They are also more flexible due to their round core.

On roundwound nickel strings:
Dislike DR strings. never had a DR B string that didn't break at the tuner when putting it on a small tuning peg. DR customer service is great, but why go through that? and too damned bright. but they last awhile, no denying it.

D'Addario and GHS are cheaper and to my ear sounds better. More midrange. I like Ernie Ball too, but they don't last as long.

DRs are bright beyond belief, but want a brighter string? Try the JustStrings house brand bulk string. The nickel strings are so bright I thought they were steel. They come as 6 single strings and you can choose your own gauges. Love that because I like a medium set but with a 110 E. I bought them and they have so much high end they sound scooped. perfect for the modern sound. which, unfortunately, is not my sound. I didn't care for them on my P's, but bet they would kill on a Jazz. But I like them better than much DR.

Ever tried the rotosound round nickel strings? have a lot of pop. really good strings.

And the pressurewounds are really awesome strings. I'm surprised more people don't use them. Definitely brighter than flats, sound like a roundwound when first installed, and if you have never played a flat, the smoothness of the string is a lot of fun, especially when soloing.

Next on my radar are the Ernie Ball cobalt flats; they're supposed to be like bright flats, so we'll see.

But in the end, I've found nothing to beat DAddario XLs, for price and performance.

good luck!
 
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Why are you guys "hiding" Ampeg? Are people here really that sensitive?
Gluvhand - sorry, it's kind of an inside joke from something over a year ago. It was addressed to Linnin because he was involved with it. I should have PM'd that to him rather than keep the entire board wondering about it. The main point of that post was to see if anyone had a similar problem to mine. Sorry for the distraction.

Blooz
 
Gluvhand - sorry, it's kind of an inside joke from something over a year ago. It was addressed to Linnin because he was involved with it. I should have PM'd that to him rather than keep the entire board wondering about it. The main point of that post was to see if anyone had a similar problem to mine. Sorry for the distraction.

Blooz
Not at all. I know there's been back and forth between the camps. I'm not on either side and find all the "rah-rah" childish. Plenty of room for both without resorting to what amounts to " your brand sucks, maaaaaan!". Moving on.
 
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The closest woofer is going to be [Invalid or Expired Link Removed]
I think by the time you are done with finding and swapping out a speaker, you'll have spent more money and time and have an inferior (or at least unpredictable) sound than if you had sold the old cab and bought a Rumble 15. or even a used Rumble 15. I'm a tinkerer, builder and tweaker, and even so, I'd buy a new rumble 15 rather than trying to mod the old one. It's just too unpredictable. buy one from GC and if you don't like it, return it.
This is true. A brand new Rumble 115 cabinet is $300 and contains the exact same woofer as the Rumble 200 combo. The Eminence Legend CB-158 woofer is $135.
Thanks for your replies.
In fact as my other cab is almost the same volume as the Rumble 200 one, I was thinking of getting the same speaker than in the Rumble 200. You see ?
If volume and tuning are good, the cabs should sound almost the same, no ?
I was just thinking on a cheap alternative :) Buying the Rumble wasn't scheduled, I had to replace my dead amp. And prices are higher right there in Europe.
I don't really need the extension speaker now, just projecting for outdoor gigs when sun will come back in a few monthes.

Playing with my new Rumble, I got better tones from the overdive (I was aiming for just that touch of grit/dirt) by lowering the gain. It sounds nice :)
The eq is nice too. Seems to be well voiced to push the mids when needed or reduce the bass in a boomy room.
I don't know what to think of the Vintage setting. It sounds nice with the bass knob reduced a bit. Have to try it in a band setting to know how I like it.

What sounds strange is that the phone output has a strong Cab Sim. When I say strong, I mean it sounds way more scooped than what I hear from the speaker. Not a problem, just need some eq adjustment when playing with headphones.
As I couldn't test the DI, and as I see on the schematic in the instruction book that there's a Cab sim before the DI too, do you know if it is as strongly voiced ?

On the schematic I can see too that there's a built in HPF which is great.
 
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If volume and tuning are good, the cabs should sound almost the same, no ?
There's nothing like being able to audition a cab before sinking money into it. can't do that by adding a speaker to something it wasn't designed for. might work, might not. might sounds like what you want, might not. either way, if you mod it, you have to live with the mod.
 
Hey guys, I'm new to this site so I'm not sure if I'm posting in the right place.. I need some advice. I've been considering picking up a Fender Rumble 500 combo for a while. This would be for gigging - mostly smallish to medium size venues.. Is the Rumble 500 alone suitable for gigging? Is it loud enough? Thanks in advance!
 
Hey guys, I'm new to this site so I'm not sure if I'm posting in the right place.. I need some advice. I've been considering picking up a Fender Rumble 500 combo for a while. This would be for gigging - mostly smallish to medium size venues.. Is the Rumble 500 alone suitable for gigging? Is it loud enough? Thanks in advance!
It is more than loud enough, the tone is amazing. I use one with 2 guitars and a loud drummer. I haven't played anywhere it is not enough. When I bought mine, I compared the Ampeg and Markbass combos and picked the Rumble because of its tone.
 
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Hey guys, I'm new to this site so I'm not sure if I'm posting in the right place.. I need some advice. I've been considering picking up a Fender Rumble 500 combo for a while. This would be for gigging - mostly smallish to medium size venues.. Is the Rumble 500 alone suitable for gigging? Is it loud enough?
More than. and on the off chance it isn't, you can attach an extension cab. It get extra-super-double-dog-dare loud then.
 
I just learned about the Rumble 112 cabs. How well do they work with low watt heads?
I'm thinking about using one with a vintage Silvertone 1466 SS which is about 80watts or so.
They'll work just fine. They're not as efficient as a neodymium woofer. Since you're using a low wattage head you're not going after volume, but rather tone. You'll just have to try one to see if it has the tone you like.
 
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