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Fender should issue a Chris Squire Signature model

RWRP stands for reverse wound reverse polarity. It's the same thing as with stock Jazz pickups: when both are on they act as a humbucker.
I'm sure any pickup maker could make one for you or (maybe even better) a complete set of pickups. Not sure if they are available commercially since the original '51 P basses are single pickup instruments.

The bass is wired: master volume, master tone and a 3-way pickup selector switch. When both pickups are on they are in series.

Thank you. I’m not much of a gear head in as much as I know how to drive them, but not necessarily what makes them work.
 
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Thank you. I’m not much of a gear head in as much as I know how to drive them, but not necessarily what makes them work.

I'm not much of a gear head in that sense either. I'd like to know more about wiring and stuff but if I did there's a danger of tinkering my basses into oblivion.
Thankfully I've have a few good friends who have been able to realize my ideas.
 
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26998000[/URL], member: 384854"]I'm not much of a gear head in that sense either. I'd like to know more about wiring and stuff but if I did there's a danger of tinkering my basses into oblivion.
Thankfully I've have a few good friends who have been able to realize my ideas.

Here’s the results of my last tribute project. Pretty simple. I wanted to do a Phil Lynott tribute bass because I especially like his rarely played Precision with the maple fingerboard. Mine is more of an “inspired by” than an exact duplicate. Mine has a Babicz bridge because they’re lighter and, in my opinion, just better than the Badass. Mine has a DiMarzio DP126 set where his had a Yamaha blade in the bridge position. Mine is a passive Precision Bass Special with a Jazz style neck, And lastly mine has “Mexican Blood”.

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Here’s the results of my last tribute project. Pretty simple. I wanted to do a Phil Lynott tribute bass because I especially like his rarely played Precision with the maple fingerboard. Mine is more of an “inspired by” than an exact duplicate. Mine has a Babicz bridge because they’re lighter and, in my opinion, just better than the Badass. Mine has a DiMarzio DP126 set where his had a Yamaha blade in the bridge position. Mine is a passive Precision Bass Special with a Jazz style neck, And lastly mine has “Mexican Blood”.

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Looks great! He upgraded the original P pickup to a Dimarzio sometime in '79, right? Just before he switched to Ibanez Roadster RS900.
When he had the bridge pickup added?
 
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This is magnificent. I've been thinking of doing a similar thing for years and I think you've convinced me! I've always had my suspicions that Chris used this bass more regularly in the early days than most people think, but this opinion has caused some controversy :laugh:

Hopefully I'll get a Squier in the New Year and go from there.
 
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I would think a J bass bridge pickup, just because of the necessary longer length where the string spread is wider.
Not necessarily. One of the reasons the J-bass neck pickup has narrower pole spacing than the bridge is because the string taper caused by the 1.5" nut makes it so. The bridges on both basses were the same so there's no reason for a pickup with different spacing than the standard P-bass pickup. The Seymour Duncan Quarter pounder I use has its poles lined up with the strings.