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Flatwound Strings

I am VERY new to the bass. I figured that I have some time during this pandemic, so why not learn something new.
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Flats will indeed add tension to your neck, which means a truss rod adjustment is probably in order. Dong a truss rod adjustment isn't a tough thing, but I think it'd be a good idea to have someone who knows what they're doing at least show you how to do it the first time - you need feeler gauges and a bit of special knowledge to really do it right.

you can do this, OP! and since you like the "technical" stuff you probably could learn what you need from the internet, but: if you told a tech/luthier "i'd like you to teach me how to do a setup (or adjust a truss rod)" you'd get an 'immersion' not available on youtube. also: you'd get to ask questions and learn about your specific ax in case there are peculiarities. TBH: that's how i learned so i'm favoring my own experience on this. once you get some concepts = youtube is your friend! good luck with your great looking instrument! :thumbsup:
 
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Ok that makes sense, I stand corrected although I still think the core has more to do with it though. La Bella DTFs are known to have more tension because they have a thicker denser core for example.
I don't know about La Bella flats (they are also quite stiff, and the winding has a lot to do with it), but yes, the construction elements of the string all contribute each according to its specific weight and volume in a given length unit (linear inch of string): the core steel is probably denser than the winding material(s), and the thicker it is, total gauge being equal, the heavier-tension the string will be (because of the aforementioned inherent density of the core material, and the fact that it subtracts volume to the windings - and air gaps therein).
In the opposite direction, a triple-wound string like many (most?) low B strings may have a relatively thin core, and be lighter in tension than one with the same diameter and a larger core, but the other way of looking at it is that in said string the winding matters more, with regards to the tension value at pitch; and certainly such a string will have more tension than another with identical core diameter and wrap gauge, but less winding layers.
 
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I don't know about La Bella flats (they are also quite stiff, and the winding has a lot to do with it), but yes, the construction elements of the string all contribute each according to its specific weight and volume in a given length unit (linear inch of string): the core steel is probably denser than the winding material(s), and the thicker it is, total gauge being equal, the heavier-tension the string will be (because of the aforementioned inherent density of the core material, and the fact that it subtracts volume to the windings - and air gaps therein).
In the opposite direction, a triple-wound string like many (most?) low B strings may have a relatively thin core, and be lighter in tension than one with the same diameter and a larger core, but the other way of looking at it is that in said string the winding matters more, with regards to the tension value at pitch; and certainly such a string will have more tension than another with identical core diameter and wrap gauge, but less winding layers.


La Bella's do have a thick core though.
 
I took your advice and swapped-out my strings and replaced them with D’Addario 45-100 flat wounds. While I was at it, I lined the body cavities with copper foil tape, changes the mini-Alpha pots to full size CTS 250K pots - audio for the P/J pickups and linear for tone control, and installed Aguilar AG 4P/J-HC pickups, a Babicz thru the body bridge, and, just for the heck of it, a Pure Tone full-contact output jack. I love the looks of the guitar,
I love the sound, and I especially love the fact that the 60 cycle hum is gone!

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Thanks for your insights and encouragement.