I remember my own early Fodera days...I was a diehard Jazz Bass guy at the time. I had four of them. An original '64, a Victor Bailey, a butterscotch blonde American Deluxe and a aged cherry burst Custom Classic. All of them were plek'd and played like butter and sounded great. Then I bought my first Monarch...oops.
Less than two years after that the only Jazz I still had was / is my '64. It seems almost zero playing time but I just cannot part with it. Oh yeah, I have 10 Monarchs (down from 12 earlier this year) with two more in the build schedule for later this Fall (that were ordered in 2009).
I feel like the old Remington Razor commercial..."I loved the product so much, I bought the Company." Well in this case I merely became one of the owners of the Company.
Also, in case you are wondering...all of the Foderas that I currently own were purchased BEFORE I was a partner...so I paid normal market prices! Finally, any new orders (like the two that are coming) are STILL purchased (at Dealer pricing) and I still wait in line for them to be built...
Cheers,
J
fwiw I played a pair of Zons for a little over 10 years. And actually 97% of my time was spent playing the Zon Lightwave fretless 5. Then after a semi-hiatus for a couple years I decided to get back into gigging more regularly a few years ago I decided to change it up. That started a ridiculous amount of churn since '09 when I bought a Sadowsky then cycled through a bunch of instruments. The downside is I've flushed a bunch of money down the toilet in the process - but I think of it as "renting" to try different things. The upside is that I've gotten to own a number of really nice basses and gotten to know various owners of said brands. Reads like a who's who of TB: Sadowsky (multiples), Nordstrand, Roscoe (multiples), Elrick, Lull, Zon (multiples), Rob Allen (multiples), Fender (multiples), and Fodera.
Of those only the Rob Allens (a Deep 5 and an MB-2 4), one Fender AmDlxP, and the Fedora remain. The other good thing is that I've figured out some very specific things that I like and don't like:
- I love Rob Allens. They don't cover all of my gigs as I play in 4 different bands right now, but for my jazz stuff they just kill, and no other bass touches it for its "thing"
- I hate poly finishes. Just hate them. I also hate a lot of finish on the back of the neck. My Fender is now in jeopardy simply due to this - mostly due to the counterpoint of the Fodera which has the nicest back of the neck of any bass I've owned, and the "natural wood" body finish (which is the same type wax/etc as my Rob Allens I believe).
- I love PJs in a fretted bass, and love 3-band active. I get the "passive purist" thing, but frankly in my live situations passive drives me nuts. Give me a good preamp to deal with room issues and other variables on the fly.
- I am not a JJ guy, and don't dig the Jazz-ish body shape either. Hence my love of the Monarch body style.
- I have usually been mostly a fretless player, but am doing more fretted work as I expand my approach into chords, slap, etc. And if I have frets, I want perfect fret work. Actually my Nordy was probably my favorite due to the small fret size - just damn comfortable. That said, the Fodera is making me happy and the light string gauge is combining to make things possible that I wouldn't have previously considered.
After talking with the g/f last night though, I just can't rationalize $11K for a new YY Deluxe. Especially since I have 3 basses on order at the moment (Rob Allen Deep 4, but will sell my MB-2, and a pair of Skjold 5-strings) that should come in over the next 3-4 months
That said, I may be able to rationalize $8K for a Monarch Deluxe



