Monarch Elite 5 (E-C) fretted
chambered walnut body, walnut tone block
Brazillian rosewood top (non-solid)
34" scale, 17.5mm bridge, 24 small frets
5-piece maple/bubinga neck w/ebony fingerboard
dual coil pups, Fodera/Pope 3-band preamp, D-tuner
Monarch Elite 5 (E-C) fretless
chambered walnut body, walnut tone block
flame walnut top (non-solid)
34" scale, 17.5mm bridge
3-piece ash neck w/unlined ebony fingerboard
dual coil pups, Fodera/Pope 3-band, D-tuner
The idea was to have a pair of "fraternal twins" that combine elements of my Yin Yang Deluxe 4 and MGS 5. I'll keep the YYD and likely sell the MGS when these are done. Then I should have all my basses covered (pun intended):
fretted and fretless 5s, E-C for comping/soloing
fretted 4 PJ (YYD) for most rock stuff
fretless 4 (Rob Allen) for upright vibe
fretted 4 JJ (Lull) for backup and if a bandleader insists on a "traditional" look
Everything 34" scale, the Foderas all chambered walnut body and ebony fingerboard. The only adjustment I have to make on a gig is if I'm swapping between 5 and 4 (19mm spacing vs 17.5mm spacing). I'm doing that now and it doesn't give me much of a problem.
Sounds like a plan!
The Walnut and Ebony is most appealing, and I can really appreciate the E-C approach...
and OMG