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There seems to be a sense of ownership over artists at times with their audience. You may or not, be old enough to remember the very vocal criticism of Bob Dylan when he went electric all those years ago. It was an outrage that he would turn away from the acoustic style he was known for. Some even called him a traitor and denounced him. There have been other examples over the years when artists choose to express themselves differently from the way the audience knows them.What's interesting to me is that I originally found it weird when Warwick began to become associated with metal players. I had previously associated Warwick much more with fusion guys or with players such as T.M. Stevens and Jack Bruce. Given Ryan Martinie's style (his actual playing style, as opposed to his image or to the image of Mudvayne), it makes perfect sense to me that he would be interested in Fodera. Regardless, I don't totally understand brand loyalty on the part of the people not actually doing the playing ("Why is he playing that bass - I want him to play that one!"). I'm not saying that is how the OP is coming across, but I have seen the sentiment expressed in other places. I guess this sort of attachment to image (and, perhaps, wanting to associate with aspects of a given image) is part of human nature, but I still find it a bit odd that we can care so much about what basses other people play.
There seems to be a sense of ownership over artists at times with their audience. You may or not, be old enough to remember the very vocal criticism of Bob Dylan when he went electric all those years ago. It was an outrage that he would turn away from the acoustic style he was known for. Some even called him a traitor and denounced him. There have been other examples over the years when artists choose to express themselves differently from the way the audience knows them.
It's a weird thing to me. I just move on when a band I love vastly changes styles. I don't owe them any loyalty and they don't owe Herrick. However, I'll check out their future works to see if I'm into it.
To be fair, I cannot think of one band or solo artist I followed for at least 10 years that made a big switch in musical direction and kept on going. Pretty much every band I got into had already made The Switch and I was just late to the party and found out by going through their discography in chronological order.
I think this a pro & con for me because I don't have that super long connection with the band so I can be a bit more accepting of a new direction, while not feeling obligated to like their new stuff after following them for so long.
Ryan is a fantastic player. The way I see it, Fodera is lucky to have him onboard.
Hope you are recovered now and wellI was at that show. It certainly caught me off guard seeing him play something other than a Warwick!
Shirtless, tattooed, and muscular, men look macho onstage. That does not mean he is not down to earth and nice.
It's interesting that they're going to make it a signature model as they currently don't cater to that market at all, but good on them for trying to expand their customer base.
The bass looks rather large and the photo of Ryan playing it looks like the bass is photoshopped on him. Not tryin' to hate... that's just what I see.
i am a shirtless, tattooed, muscular guy that plays metal, but I am a huge @$$hole and not at all down to earth. Maybe if I played a Fodera....Shirtless, tattooed, and muscular, men look macho onstage. That does not mean he is not down to earth and nice.
The bass looks rather large and the photo of Ryan playing it looks like the bass is photoshopped on him. Not tryin' to hate... that's just what I see.