- Apr 20, 2009
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- Endorsements: your name could be here, Mr. Sadowsky!
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1)If exposing the top of the fret...So one thought I am having is how far down I take the epoxy.
Just above the fret? I think this is where I start
Another thought
We all know that fretless basses don't work well with slapping. You can make it work, but it is more difficult.
Why? I think the fret play a critical role
So if I expose the frets just a bit, I get the metal of the fret, with the flatness of a fretless
Potential that could be realized: a fretless that can do slap easily
Just buy a fretless bass and leave us alone.Use both on gigs.
What he sez ^^^^^.....Leave "us" alone? I've literally never seen you post in here before now, and it's totally unhelpful and rude.
Scoops is a very accomplished and capable luthier, and if you'd ever been in this forum before and paid any amount of attention to your surroundings, you'd know that. If he (or anyone else) wants to experiment with a weird idea, that is their prerogative - whether the peanut gallery agrees or not.
Somewhat off topic but what tone would you get if instead of epoxy you precisely ground down the frets level with the board? It seems cleaner and easier than ripping out the frets. I've never had an original thought so I'm sure one of you wild amateur luthiers must have tried this. Great tone and good mwah or the voice of a duck?
It just sounds and feels exactly like a fretless. That's how I used to do it back in the early 70's. It works very well and is by far the easiest/fastest way to do it but it's generally frowned upon. Any luthier who has had a customer bring him one of those necks to be put back to fretted knows how much more difficult it is to get those fret tangs out than it would be to saw new fret slots into a board done with hardwood strips for fret lines.Somewhat off topic but what tone would you get if instead of epoxy you precisely ground down the frets level with the board? It seems cleaner and easier than ripping out the frets. I've never had an original thought so I'm sure one of you wild amateur luthiers must have tried this. Great tone and good mwah or the voice of a duck?
Claypool always got along just fine slapping a fretless.I'm already curious to hear how it sounds slapping.
Make it glow!.....Kinda.....
I was posing somewhat of a riddle
I'm thinkin something like this
I have this fretted neck, I dam it off pour in epoxy, once the epoxy dries shape the epoxy to be just above the top of the frets.
This is an experiment I've been wanting to do for a while so here goes
View attachment 3898190

Who let the trolls out?WowWho let the trolls out?
I've seen this type of closed minded ignorance and vitriol in the past, drive a brilliant mind and good friend away from sharing on this forum....
...To our loss.
It is blatantly obvious that several of the naysayers do not even have a working knowledge of the process or materials involved. (So STFU)
Let alone a mere modicum of faith... that someone who posts in the LC ... just might BE a talented Luthier?
Hard to grasp for some of you I suppose.
And if you don't see the point... then you don't see the point. Watch and learn... or don't and piss off.
@Scoops .... can't wait to see the results!
Carry on.
Sorry for the rant.
Namaste
I realize I was a "don't do it" and I still lean that way, but I'm kind of hoping it works. I have visions of something gleaming and shiny like one of those half-epoxy lathe-turned projects folks are aways posting on artsy websites.
If it does work and is stable, maybe you could take basses with a shallow neck and veneer fingerboard (or no fingerboard) and treat the epoxy as the fingerboard. All kinds of interesting possibilities with tints, colored swirling epoxy, items suspended in the epoxy, etc, or just a really thick finish that makes stained wood leap out at you.