GeoffGould
Commercial User
There are a couple of errors in the description, hopefully all will be corrected by tomorrow! (Just between you and me, the price will be corrected too.)
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
it's geoff's earlier GGI5 that had the emg b30 3-band eq instead of today's version which has the emg bts 2-band preamp.A used sweet GGi5 popped up locally...but this seems to come with a custom 3 band EQ?
Can anyone guess and confirm?
The price is not bad at all, I don't need another one but...I'm curious about a different electronic
View attachment 4863915 View attachment 4863916

it's geoff's earlier GGI5 that had the emg b30 3-band eq instead of today's version which has the emg bts 2-band preamp.
i don't have a current pic but here's a (dusty) store pic of mine:
View attachment 4863923
she does look clean. not sure on the exact year but i'd assume around late '00's.Thanks for the quick response, I see. I'm a believer of Gould's stance on "no mid fits better" so happy with mine.
The picture shows quite a pristine instrument so probably a closet queen, #1102...what year that would make it? mmmhh
Thanks much, it means a whole lot coming from peers! Sorry 4 late reply.Phew, that was some nice playing! Groovy band.
I have the three band with sweepable mids in my ggi6. I boost the mids, sweep until it sounds lousy and then cut the mids. It works very well for me using it in that way.
Thanks for discussing Geoff! I personally love the blended contact core signature strings. I've tried other brands that I use on other basses but the low b and even the open E string sound more clear/tight compared to my usual suspects of strings. I generally don't use the low B above the 15th fret so the "warble" doesn't bother me.The discussion about strings has been thought provoking.On one level, I'm agnostic about strings, and feel it's a personal choice. Whatever suits your style is what's right for me. Yes, GHS manufactures the string I use (and used at Modulus before 1995. But getting them has not been easy, especially in the last couple of years. I have used the contact core strings because I've felt the fundamental has been truer, and many players tell me they like them. I certainly don't want to make the basses sound bad. Yes, if there's too much of the bare core in front of the bridge saddle, overtones can be an issue. We have had it shortened in recent years, but it may not be enough for some. Many years ago, we had a Bass Player review of a Modulus thru-body BASSSTAR that was having trouble, until we put in the contact core on the B-string. Clearly in that case, it was helpful. It may not match all playing styles, I doubt anything could. I continue to enjoy reading about the different strings that help players achieve their own style and voice. Thanks for letting me share here.
if you haven't seen this corny video of me with the Short Scale bass prototype, here it is:
Link Removed
apologies!
every neck is different, but I always try to keep it as slim as possible, without letting the truss rod come out!@GeoffGould First, I thought the new video was pretty funny, but that is a hell of a great sounding bass! How will the neck compare to your older GGj bass necks? About the same form and fit? Obviously different dimensions, but same concept?
every neck is different, but I always try to keep it as slim as possible, without letting the truss rod come out!
I'm just a designer trying to solve different problems. The cost to make just one graphite neck is huge. Maybe if people want it, we'll see if we can do it in full graphite. But, this is a pretty good bass as is!