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G&L Club Part 7

My latest pointless daydream is to wonder if it would be feasible and/or not totally pointless to replace a Kiloton's tone knob with a treble-cut / bass-cut stack (iirc this where I get told that a stack of the necessary of pair of pots is nonexistent) On Kiloton demos, the bass always sounds impressively rich and rounded. Might it be nice to be able to control that a little?

BTW if anyone else was wondering, has G&L decided to start 2022 being a bit less of a hot mess? it's now three weeks since they registered my order and they haven't yet confirmed the correct specs. I wonder what random instrument they're going to make for me this time ... tangerine / pearloid / maple / 1¾" nut / 12" radius / SB-2 / black headstock ....?
It's not ideal for some,
But a Fender TBX control wired for bass cut is essentially the bass /treble controls of a G&L in a single pot, with a center detente. Cuts bass in one direction, cuts treble in the other.
I typically don't cut both at the same time, so I could work with it.
If you need to cut both, you'd need something else.
 
What if G&L made their version of an older style Stingray at 8.5 lbs for $1,600?
Minimal engineering and production set up time. And then a Tribute 2 years later.
Maybe a hot seller? Sandberg is now using a SR style pup as well as others.
 
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What if G&L made their version of an older style Stingray at 8.5 lbs for $1,600?
Minimal engineering and production set up time. And then a Tribute 2 years later.
Maybe a hot seller? Sandberg is now using a SR style pup as well as others.

I much prefer the MFD pickup to the SR style pickup. Fact is I find the SR style pickup to be a turn off. I tried to like them in a few different basses but I just don't. I like '70s Stingrays but I'd prefer a MFD pickup in there.
 
Not a G&L but.....

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My latest pointless daydream is to wonder if it would be feasible and/or not totally pointless to replace a Kiloton's tone knob with a treble-cut / bass-cut stack (iirc this where I get told that a stack of the necessary of pair of pots is nonexistent) On Kiloton demos, the bass always sounds impressively rich and rounded. Might it be nice to be able to control that a little?

BTW if anyone else was wondering, has G&L decided to start 2022 being a bit less of a hot mess? it's now three weeks since they registered my order and they haven't yet confirmed the correct specs. I wonder what random instrument they're going to make for me this time ... tangerine / pearloid / maple / 1¾" nut / 12" radius / SB-2 / black headstock ....?

My buddy @husky123 added a greasebucket tone knob to his Kiloton Tribute. Definitely adds more tonal variations to it.
 
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I do not understand. Why has there not been intense discussion about these? Why is everyone not as excited as I am? What is wrong with you all?

Not everything in the world is better for having an extra string. The P-bass is a perfect example of this since the pickup is in a spot that that is simply not conducive to a pitch-firm B-string. The L-1000 is very much the same story. I have an L-1000 that is a terrific instrument, but I've no interest in a 5-string version of it—vs my L-2500, JB-5, and M-2500. That's what's wrong with me.;)
 
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Ordered a replacement IC chip (direct from G&L) and a roll of copper shielding tape for my recently acquired blackburst BABP L2K.. hoping to resolve the noise / RF interference soon enough!
Passive mode's been quiet & fine for the most part but I'm REALLY enjoying the active on w/ Treble Boost setting.. just need it to wrangle in the unwanted noise!
 
Just for the record, is this an MFD pickup put in a modified stingray cover? How does it sound? How does it differ from the stock pickup?

Yes. I guess it sounds like the bridge pickup from an L2K in series mode or maybe a Kiloton. It has a push pull that splits it to the neck side coil as well. The stock pickup was a passive EMG HZ. It sounds more unique and aggressive than the HZ.
 
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