I did add a tone control and find it gives even more sounds to this great bass. If you want dark thump, turning off the bridge pickup might be less than you want. If tone controls weren't useful, no basses would have them. My opinion anyway.
I also dislike two volume controls, so I replaced mine with a blend control with a center detente. Now it's quick and easy to dial in the sound I want just by going to the detent position and adjusting from there. And the master volume serves the purpose of *gasp* controlling the volume and not the tone.
Thank you. I agree with what you're saying in paragraph 1. I am used to lessen the tone harshness by turning down the bridge pickup volume, but I now understand a tone knob would be an interesting additional feature.
Is is notorious that Leo Fender designed the SB-2 originally with the intention of assigning the bridge pickup a tone control function, in the way of adding a brightness (high end) element, compared to the SB-1 that has had instead a tone control knob from its origin, the purpose of which being to filter (lessen) high end frequencies (like on a P-bass). Evidence is brought by the tone of the bridge pickup, that is nowhere close to be tonally attractive on a stand-alone basis, unlike on a Jazz Bass.
On the L-2x00, no blend pot, it's a 3-position switch. I once owned an M-2x00, and the blend pot was probably an improvement compared to the L-2x00, but not as optimal as with the double vol controls of an SB-2 or a JB. IMHO.
Lastly, still having my 1997 L-2500, I much regret having let my M-2500 going, that was surely the best overall G&L bass that I have owned (featuring the double parallel/single coil/series switch mod that I got from Thor - RIP).
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