Here's my little family. Both purchased new from the Clearance Store and they seem to be happy together. No fighting. They each get their time in the spotlight!
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I still think that hook was Leo giving Fender the finger.Roger that, lol.
It's perfectly fine to appreciate G&L's place in history, the quality of their instruments when well done (particularly pre-BBE), while rejecting high-mass bridge snake oil and recognizing the headstock hook was not Leo's first choice and indeed only exists as a result of pressure from Fender. The company you'd reward with a purchase.
You could be right, and I like that story, I'm just saying, it's not "anti-Leo" or "anti-G&L" to not love the "extra" aesthetics of it.I still think that hook was Leo giving Fender the finger.
waves on the ocean man, waaaaaavesI still think that hook was Leo giving Fender the finger.
Surf's up!waves on the ocean man, waaaaaaves
Yes, G&L' s like many other pets get lonely, and thrive when they have a companion. They are after all herd animals by nature.
Here's my little family. Both purchased new from the Clearance Store and they seem to be happy together. No fighting. They each get their time in the spotlight!
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Yeah I know the story, I don't care that it was Leo's forced compromise. Don't matter if Jeffrey Dahmer designed it, I think it looks cool.Roger that, lol.
It's perfectly fine to appreciate G&L's place in history, the quality of their instruments when well done (particularly pre-BBE), while rejecting high-mass bridge snake oil and recognizing the headstock hook was not Leo's first choice and indeed only exists as a result of pressure from Fender. The company you'd reward with a purchase.
I completely agree. Actually, I don't mind the hook.You could be right, and I like that story, I'm just saying, it's not "anti-Leo" or "anti-G&L" to not love the "extra" aesthetics of it.
Wow, that Kiloton is amazing looking!Here's my little family. Both purchased new from the Clearance Store and they seem to be happy together. No fighting. They each get their time in the spotlight!
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Trick of the light/angle. The Kilo is the standard 1.5" and the SB-1 is 1.575". Double-checked with the calipers too.Wow, that Kiloton is amazing looking!
Whats's the neck specs? Looks wider than the sb1.
I'm not aware of what the "T" is?Trick of the light/angle. The Kilo is the standard 1.5" and the SB-1 is 1.575". Double-checked with the calipers too.
The board on the Kiloton is ebony and it's lovely. I love these basses, especially the body size/shape. I've had SB-2s and now that the "T" is standard (and much improved according to Mr. Araujo), I might want to add one of those down the line. Make the duo a trio!
The SB-2 originally had just a volume control for each pickup with the bridge pickup being used to offer some tonal variety with some added high end. The input jack was located where it is still currently on the SB-1; on the front. There was no "tone" control of any kind. The SB-2T (not sure when it was introduced) moved the input jack to the side of the bass and put a passive tone rolloff control in its place. The "new" SB-2 comes with the tone control as standard so it's a Volume-Volume-Tone setup.I'm not aware of what the "T" is?
I'm relatively new to G&L ownership (Tribute Series 4S Kiloton [Chosen because the neck felt great to me]).
"T" is for tone. Traditionally, the SB-2 had only two volume controls, no tone. This year, G&L added a tone control to their US SB-2. I'm one of the few who actually liked the fact that an SB-2 didn't have a tone control. I mean, don't we have tone controls on our amps? ...or our preamps and floor pedals? What about the sound board? Do we really need four "tone"controls in the chain? Anyway, "T" is for "tone".I'm not aware of what the "T" is?
I'm relatively new to G&L ownership (Tribute Series 4S Kiloton [Chosen because the neck felt great to me]).
Thanks for the info!The SB-2 originally had just a volume control for each pickup with the bridge pickup being used to offer some tonal variety with some added high end. The input jack was located where it is still currently on the SB-1; on the front. There was no "tone" control of any kind. The SB-2T (not sure when it was introduced) moved the input jack to the side of the bass and put a passive tone rolloff control in its place. The "new" SB-2 comes with the tone control as standard so it's a Volume-Volume-Tone setup.
I tend to play wide open with passive basses so the "T" was never all that important to me. On my SB-2T I rarely rolled off any treble but it's nice to have I suppose. I wouldn't hesitate to get an SB-2 without it if the right one popped up for me.
Thanks, appreciate the info!"T" is for tone. Traditionally, the SB-2 had only two volume controls, no tone. This year, G&L added a tone control to their US SB-2. I'm one of the few who actually liked the fact that an SB-2 didn't have a tone control. I mean, don't we have tone controls on our amps? ...or our preamps and floor pedals? What about the sound board? Do we really need four "tone"controls in the chain? Anyway, "T" is for "tone".
True that. This discussion about a tone control on an SB-2 has been ongoing for years. I don't need one. I like not having one. But I respect the choice another player might make regarding that. I have to say, though, that if I decided to get a BTO SB-2 and they charged me extra to leave it off, G&L and I would have words.Tone control on the bass is kinda handy for a quick adjustment on the fly.