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I read that they went with a 4-bolt neck and the 20 fret fingerboard on the JB to make it look and sound more like a Fender Jazz Bass. If that's the case, why does the LB-100 have a 6-bolt, 21-fret neck? After all, the "LB" stands for "Legacy Bass." Isn't a 4-bolt, 20 fret neck part of that legacy? Isn't it G&L's version of the P-bass? G&L logic.My Made in Fullerton JB-5... 4 screws and a 20-fret fingerboard (!).
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My take is that these are all improvements, I prefer my LB-100 over a Fender. As far as the JB5 goes, don't have one, couldn't tell ya.I read that they went with a 4-bolt neck and the 20 fret fingerboard on the JB to make it look and sound more like a Fender Jazz Bass. If that's the case, why does the LB-100 have a 6-bolt, 21-fret neck? After all, the "LB" stands for "Legacy Bass." Isn't a 4-bolt, 20 fret neck part of that legacy? Isn't it G&L's version of the P-bass? G&L logic.
I have nothing against a 21 fret neck...or a 20. Heck, my Steinbergers have 24 fret necks, and they feel fine. It just seems it would be simpler to decide. Why not make them all 6-bolt, 21-fret necks, including Tributes? Or all 20-fret, 4-bolt necks...just decide. But whatever, I still buy 'em and play 'em.My take is that these are all improvements, I prefer my LB-100 over a Fender. As far as the JB5 goes, don't have one, couldn't tell ya.
Since we're talking basses with a 34" scale, the extra approximately 1/2" has to come with an extended neck pocket in the body of the bass for a 21 fret neck. Take that away with a 20-fret neck and the neck pocket has to be shorter to keep the scale at 34". So yes, you're right. There are other ways it could be done, but since their aim was to produce a Jazz Bass, why mess with a proven design?I guess the JB 20-fret neck is too short to accommodate a 6 bolt attachment…![]()
I get what you're saying fer sure... The one thing I know is that we'll probably never know! Likely an arbitrary decision from within the company.I have nothing against a 21 fret neck...or a 20. Heck, my Steinbergers have 24 fret necks, and they feel fine. It just seems it would be simpler to decide. Why not make them all 6-bolt, 21-fret necks, including Tributes? Or all 20-fret, 4-bolt necks...just decide. But whatever, I still buy 'em and play 'em.
I have one of each (L2K and JB, both Fullerton), and I like them both just fine.
Why indeed?Since we're talking basses with a 34" scale, the extra approximately 1/2" has to come with an extended neck pocket in the body of the bass for a 21 fret neck. Take that away with a 20-fret neck and the neck pocket has to be shorter to keep the scale at 34". So yes, you're right. There are other ways it could be done, but since their aim was to produce a Jazz Bass, why mess with a proven design?

Everyone knows tone is in the color of the instument, Black sounds really good just listen to the tone on this thing! LOLView attachment 5449170
My G&Ls have lots of high end sparkle in their tone.
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My G&Ls have lots of high end sparkle in their tone.
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My G&Ls have lots of high end sparkle in their tone.
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Seemed to just take me to a general Bass Guitars page. What deal were you pointing us to?
Anyone seen this deal at Sweetwater?
G&L CLF Research L-2000 Bass Guitar - Blue Metallic