Correct. I can't get the strings lower because the saddles are bottomed out. If I can raise the neck in the neck pocket I'll be able to bring the saddles up to get the action I want.
But I think I want a flat shim. I don't see a reason to use an angled shim. Anyone have arguments for/against angled shims?
I've see a lot of recommendations to put a narrow strip of something or even a pick in the back of the neck pocket - not something that sits flat across the bottom of the neck pocket and the neck the way the StewMac shims do. I agree with the StewMac guys that that is a bad idea that can cause problems in the future.
Had it backwards.
I just measured a few business cards and they were all .014" thick.
Let's say they were really a 1/4" thick; don't think they would compress any more with force than a piece of maple. It's not like the "high heel" effect is going to take place with a point load since the pocket is something like 2"x2".
I'll skip any conversation about tone properties of shim stock although you could easily buy the suitable gauge material in brass, aluminum, plastic or SS also from mcmastercarr.com and cut with tin snips.
While I have seen Fenders with a short piece of business card as a shim right out of the factory, I don't think the reason was to angle the neck but rather than to have a 10 second fix.
I don't believe any angle was designed into the neck pocket of any bass at the factory so why introduce one now?
Make them full size with holes like SM; easy-peasy with scissors and an Exacto knife or drill and radius the inside corners.
I have 6 Fenders; a 1960 and 5 from 72'-74'. They were so cheap to buy in the 70's and early 80's.
Also have an 83' SR (had two before that), a Sandberg, and a G&L JB2 Tribute.
Not one has had (or needed) a shim.
Have had a cheap off shore copy bass that came with and needed a neck shim though.
If this is a common issue on G&L, I'm becoming less interested in buying another as this speaks directly to QC.