And the gold L1000 too??
Yessir - both are up next! Along with a very late dinner. LOL
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And the gold L1000 too??

Wow, that's some serious bling alright! You really do a good job photographing these metallic finishes, btw. They are hard to get right, but you consistently manage to do so!![]()
me likey very much.....Thanks, Henrik! Metallics are indeed challenging to capture accurately, mainly because they look so different under different lighting conditions. I usually try to capture the sparklier looks, and the trick is in futzing with the lighting to get the best compromise between no glare, even coverage... and bling.![]()
Yep, and the metallic finishes drastically change character depending on the type and angle of lighting, as well as viewing angle. A real PITA to get right and actually capture the look of the bass when you view it in person. As a (admittedly hobbyist) photographer, I'm always impressed with your photos.Thanks, Henrik! Metallics are indeed challenging to capture accurately, mainly because they look so different under different lighting conditions. I usually try to capture the sparklier looks, and the trick is in futzing with the lighting to get the best compromise between no glare, even coverage... and bling.![]()
Man, Brad - I really like your choices. Both of those were high on my list (although TBH I'm not a fan of the white pickup cover). I'm just not willing to have enough basses around to get to keep all the wonderful G&L finishes I like.
I feel the same about mine - there is something about the L1005 for sureIt may just be this bass but it sounds better than any other fretted 5 I've ever had.
I'm assuming this one since it is the first to arrive. It's CLF070964. I won't know the other serial numbers until they arrive...