Not to be a downer, but I’ve owned merely one Mexican instrument that wasn’t a wet noodle neck when it was made.
Making them to a price point means the wood isn’t dried properly always and the result is humidity sensitivity. I’ve had much worse Chinese acoustic guitars. MUCH worse in fact.
But just wait til that Mexican bass ages more than a few years and the make up comes off.
You get what you pay for. There’s a reason the touring artists with Mexican models play custom shop versions and you’ve begun to discover that they aren’t reliable (some are of course, like I said, I’ve bad one of maybe 7)
My advice is sell it and move on. The AmPer is a big step up in terms of the wood. Of G&L or Gibson. Laklnd. Hell even the world music Korea has gotten better than Mexico at the wood treatment.
and I don’t care what some YouTube guy says about squires or Mexican fenders. They aren’t professional grade. Paul Reed Smith is the only honest guy as he puts STUDENT EDITION On all the ones that won’t hack it.
If youre skilled enough to notice the problems with budget instruments it’s a sign that you can justify the price of a quality one Imo.
I gigged for years with a MIM Jazz, and the neck only moved once when it was about less than zero degrees outside and it was left in a thin gig bag. The neck on my MIA Jazz (which I like a lot better) will move if I leave it out of the case in almost any weather. I just let it live in it’s nice thick Mono gig bag now instead of on a stand, and always keep a wrench with me.