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Get off my LAWN! "Grumpy Old Farts"

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mr-creosote.jpg
Not quite....:D
 
Here's a little ditti I "composed" for single fretless five string bass and Strymon Flint. I "performed" this on my Martin Keith Elfin 5 fretless bass with TI Jazz Flats, played fingerstyle. There are no overdubs, this is a single stereo track, whatever you hear was done by me and my bass, in my best dream state.
 

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Here's a little ditti I "composed" for single fretless five string bass and Strymon Flint. I "performed" this on my Martin Keith Elfin 5 fretless bass with TI Jazz Flats, played fingerstyle. There are no overdubs, this is a single stereo track, whatever you hear was done by me and my bass, in my best dream state.

Nice work Jeff. Like you said, a dream state track. What was your recording setup, DAW software and interface? Any plugins? Did it go from the Strymon directly into the digital interface? I’m always impressed with the Strymon products.

The piece reminds me of game or movie music. Doing game music is huge now. The technology is really evolving.
 
Best "get 'em up dancing" song to come along in years. Also , one of the most requested. Can't count the number of times we have played this more than once a night.
Only time I've played it was with a big band and girl singer. BL counted it off too fast so that didn't help the groove plus it sounded like a big band playing rock.
Our band's normal audience prolly wouldn't dig it.
 
Only time I've played it was with a big band and girl singer. BL counted it off too fast so that didn't help the groove plus it sounded like a big band playing rock.
Our band's normal audience prolly wouldn't dig it.
There are lots of songs that seem to be faster than they really are. Long Train Running seems to be one of them. Heard that song too fast many times. It has its own groove.
 
There are lots of songs that seem to be faster than they really are. Long Train Running seems to be one of them. Heard that song too fast many times. It has its own groove.

Sometimes they’re all hepped up on goofballs and they fly through songs. Below is an example. I’ve also seen bands just want to get off the stage or they were paid to do a fixed number of songs. You have to wonder why they even bothered.

 
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Saturday Reprise

A 1966 demo of Pleasant Valley Sunday. The street was Pleasant Valley Way in West Orange, NJ. Recorded by the Monkees fifty two years ago in June of 1967, the song did well. The beginning riff, as recorded by the Monkees, sounds a lot like the Beatles I Want To Tell You that came out months earlier. In 1967, the Monkees had just started playing on their own records after firing Don Kirshner.


 
Nice work Jeff. Like you said, a dream state track. What was your recording setup, DAW software and interface? Any plugins? Did it go from the Strymon directly into the digital interface? I’m always impressed with the Strymon products.

The piece reminds me of game or movie music. Doing game music is huge now. The technology is really evolving.
Thanks!

It was a far simpler setup than that. Bass > Flint > Radial ProD2 > Marantz PMD661. And, my Sennheiser headphones (not heard in the recording :D).

Below is another little thingy I composed ("Bass Noodle #1234"). This is with the 4004L SPC, played with a pick, and shows off some other capabilities of the Flint.

And, for some even more bass wackityness®, "Bass Noodle #1235" "features" the, earlier mentioned, C tuning fork. :woot:


Only time I've played it was with a big band and girl singer. BL counted it off too fast so that didn't help the groove plus it sounded like a big band playing rock.
Our band's normal audience prolly wouldn't dig it.
My last classic rock/pop band drove me nuts regarding tempo. And, the tempo kept varying thought some songs, too. One video of us doing "Just What I Needed" at a gig sounded like a train leaving the station, for the first few bars!
 

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Thanks!

It was a far simpler setup than that. Bass > Flint > Radial ProD2 > Marantz PMD661. And, my Sennheiser headphones (not heard in the recording :D).

My last classic rock/pop band drove me nuts regarding tempo. And, the tempo kept varying thought some songs, too. One video of us doing "Just What I Needed" at a gig sounded like a train leaving the station, for the first few bars!

Simple indeed. That last big note had some nasty digital distortion. Intended performance art? :laugh:
 
Here's a little ditti I "composed" for single fretless five string bass and Strymon Flint. I "performed" this on my Martin Keith Elfin 5 fretless bass with TI Jazz Flats, played fingerstyle. There are no overdubs, this is a single stereo track, whatever you hear was done by me and my bass, in my best dream state.
That's very cool. I love this kind of ambient stuff.
 
Simple indeed. That last big note had some nasty digital distortion. Intended performance art? :laugh:
Yeah, that happens, on occasion, when I get going and don't mind the level meters! :eek:

I added a couple more dittis to that post.

That's very cool. I love this kind of ambient stuff.
Thanks. A lot my "Bass Noodles" are kind of like that. See above for some more! :thumbsup:

And, once again, these are all "Performed Live!!!" with no overdubs. These are LONE WOLF recordings. :laugh:
 
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