When I was a Ladd, I was an Angel.
Oh man, Charlie's Angels!

The accidental key to unmasking the deception of a Communist government broadcaster to one of its shocked citizens.
I hear you:
"Win, what on Earth are you talking about?" Ok, story time...
Hanoi, Vietnam, 1995: As the sun sank low over the old part of the city, I wandered down the street from my flat to have dinner at one of my usual sidewalk-based eateries. On the way, I happen to run into a young lady acquaintance, who cheerfully agreed to join me for a bite. We made our way to a certain spot on the sidewalk in front of an old building, where an older woman was minding a small set of charcoal-fired griddles with their array of beef, rice, and vegetables, next to a couple of small plastic tables and low chairs. As we sat down, the woman switched on a small TV sitting on top of a crate, and adjusted the rabbit ears. My acquaintance looked at her watch, and perked up when she realized what time it was.
"Oh!" she said brightly, "American film! American film is on now! You can see!"
"'American film?'" I asked. This was a new one on me. Most of the TV I got in my flat was on satellite feeds out of Hong Kong and Mumbai. I didn't generally bother watching the local State-run broadcasts.
"Yes!" she replied, "Every week, they show American film. It's very special!"
Ok, I figured, the VN government probably screened - and likely censored - something from the States to demonstrate how "open" they were. Now I became mildly curious to see what the result of their efforts was.
Our food was served up just as the show started. To my utter amazement, the "American film" on the screen was an episode of
Charlie's Angels, dubbed into Vietnamese. I recognized very quickly that it was the one with the UFO hoax plot (for you die-hard fans, the episode is titled "Unidentified Flying Angels").
"Oh wow!" I said with a huge grin, "
Charlie's Angels! I remember this one!" This reaction puzzled my acquaintance to no end.
"What?" she said, her brow furrowing slightly, "This is new film! From America! How can you 'remember' it?"
Right about then it dawned on me that the citizenry had been sold a bigger bill of goods than I thought. The government broadcasters were billing this 20-year-old (at the time) TV re-run as a
new feature, straight out of the States. A relic of the mid-1970s was being passed off as the pinnacle of American society and TV production
in 1995!
"No," I said gently - and now, quietly - to my companion, "This is an old TV show. I remember this from when I was younger."
"
No!" she said, as Bosley and the Angels chattered in dubbed Vietnamese in front of us, "It's new film! First time!
New!"
"Not 'new,'" I said, "This show hasn't been on in America for many years."
"But it's
special!" my companion protested, "From
America!"
"Yes, but... ok, let me show you," I said, pointing out Kate Jackson, "Do you see that woman with the shorter brown hair and big brown eyes?"
"Yes," said my companion, looking intently at the screen.
"At then end, she is going to find out the space people and space ship aren't real," I said, "She will find the machine that flies it, and she and the other women will catch the criminals." My companion looked at me like I was utterly insane. "Watch," I assured her, "You'll see."
Sure enough, as we ate our dinner, the Angels figured out the scheme, and just as surely, Sabrina/Kate found the controls for the fake UFO, the requisite car chase ensued, and the bad guys were captured. My companion's expression was a mixture of amazement and disbelief.
"Like I said," I told her, "It
is American, but it's
not new. It's an old TV show."
And that's how
Charlie's Angels vividly demonstrated to a young Vietnamese woman that her government wasn't being straight with her.
