What happens once you've created the Perfek (used by permission) pizza?
It’ll never happen. As Mike said, I like pizza way too much to stop failing.
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What happens once you've created the Perfek (used by permission) pizza?
Reminds me of this. All for itAre they still building that? Will it never end?![]()
Make many more....What happens once you've created the Perfek (used by permission) pizza?




Well...they have to keep rebuilding after the Saturday night fights.....obviously...Are they still building that? Will it never end?![]()
I wonder if beans has tried to make a Dark Chocolate Pizza™, yet?
Where's this "Dinero"? we have Denny's Diner and Metro Diner. Haven't seen Diner-O.Make many more....
Make Mucho mucho Dinero.....
Pay me mucho dinero for the use of "Perfek" without permission...![]()
Some of our venues are designed for a duo w/o drums. Thus, my Squier VM Jaguar SS."My territory" on stage requires the length of my fretboard + headstock and I ain't gonna play a 22 inch bass so there's room for me on your dinky stage K thanks bai

How about Dinah's?Where's this "Dinero"? we have Denny's Diner and Metro Diner. Haven't seen Diner-O.![]()
Ugh. Sciatica. What we put up with! My own encounter with it landed me in acupuncture. It worked for me and it was a last resort.
I wonder if beans has tried to make a Dark Chocolate Pizza™, yet?
Dunno your area but look for open mic/jams. Sit in with other people. Ya never know what ya might stumble across.
You should get out more....Where's this "Dinero"? we have Denny's Diner and Metro Diner. Haven't seen Diner-O.![]()
Clacton on Sea was mine...it was a last resort.
That's a VERY specific bassline.The group I'm assisting as they continue their bassist search does a song* in A(I think the original is in F) that puts me either too high or too low. The bass line is quite specific, in both note and pattern. It's the key that fits the singer's voice. 90+% of the audience won't know the difference, so I live with it.
ETA: So I googled and listened to it. I'll be dipped: it's in A!! Just doesn't 'feel' right in that range but doesn't fit the pattern down. Aaaaarrrggh
Oh, well, I'll hit the open A on the ending(sigh)
*Stand By Me
The ones the bother me are the tape or mastering errors where speed fluctuates ever so slightly and you get a tiny pitch shift. Most people don't notice them, but they drive me mad, which is only made worse when I try to point them out to people and they don't hear them. The end of "Rikki Don't Lose That Number" has one. I keep thinking somebody must have heard that and decided it wasn't worth fixing, which surprised me with those guys.Once you hear something out of place in a recording, you can’t un-hear it. It’s always there. Bad tape edits can stick out. Today they tend to fix these things when albums are remastered.
I've noticed there was a lot less open string phobia back in the day. Makes sense, when you think about it. Upright players use their open strings a lot more than bass guitarists do, and back then almost everyone playing bass had an upright background. Couple that with an influx of people learning in their garages, and you're going to have open strings.The group I'm assisting as they continue their bassist search does a song* in A(I think the original is in F) that puts me either too high or too low. The bass line is quite specific, in both note and pattern. It's the key that fits the singer's voice. 90+% of the audience won't know the difference, so I live with it.
ETA: So I googled and listened to it. I'll be dipped: it's in A!! Just doesn't 'feel' right in that range but doesn't fit the pattern down. Aaaaarrrggh
Oh, well, I'll hit the open A on the ending(sigh)
*Stand By Me
The ones the bother me are the tape or mastering errors where speed fluctuates ever so slightly and you get a tiny pitch shift. Most people don't notice them, but they drive me mad, which is only made worse when I try to point them out to people and they don't hear them. The end of "Rikki Don't Lose That Number" has one. I keep thinking somebody must have heard that and decided it wasn't worth fixing, which surprised me with those guys.
The only reason I have any recordings up of myself playing is that I needed something to send around to people when I was auditioning for bands. The solo ones can probably come down at this point. The band videos are mainly up there for band promotion. I'm not that keen on watching myself play.
Every group I've played with always did Stand by Me in G, but I do seem to recall A being the original key as well.The group I'm assisting as they continue their bassist search does a song* in A(I think the original is in F) that puts me either too high or too low. The bass line is quite specific, in both note and pattern. It's the key that fits the singer's voice. 90+% of the audience won't know the difference, so I live with it.
ETA: So I googled and listened to it. I'll be dipped: it's in A!! Just doesn't 'feel' right in that range but doesn't fit the pattern down. Aaaaarrrggh
Oh, well, I'll hit the open A on the ending(sigh)
*Stand By Me
I met new people almost every week at the now defunct Sunday jam. Met a new-to me-drummer last night @ Wed. nite jam. Ya never know(I just made up that expressionSadly been there done that.![]()
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