To be young again with the experience and knowledge we have today.
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OFU!And that's why we need this group. Old Farts Unite!
I hope they don't confuse us for some weird flying things (propelled by fart, of course).sooth even the most savage of beasts (breasts?).
I got that impression as well.Thanks for the kind words Will - very much appreciated!!
I will add, though, that Lionheart preferred the savage breasts!!![]()
You're as fart as you feel!
OK OK time to change direction of this train. What is killin me is the *&^&^%&^ dj's who play during our breaks. I'm not exagerating when I say they are at least twice our sound level playing "booty music" till we come back. When did this electronic crap become 'music'?? I go outside to the heat and humidity so I can hear myself think. I'm hoping 'live' music will make another comeback----sooner than later if we're lucky.
Yeah, real music... I was very fortunate to work with some of the best bands in the world, acts with 50+ year careers. I provided audio for some of the last Cab Calloway and Count Bassie shows in the U.S., talking about class acts and great music all around in spite of the adversity the faced throughout their early life. A thing or two could be learned from acts like that.
Apparently, those basic concepts no longer apply to today's "music".Dynamics and arrangements... many of the older and certainly the most successful bands had dynamics and arrangements that went hand in hand to create a deeply textured listening experience.
Apparently, those basic concepts no longer apply to today's "music".
Apparently, those basic concepts no longer apply to today's "music".
Have you seen the clicker?
I've never understood this affinity for complete and total track isolation. I suppose you need that if you're trying to polish a turd, but if the musicians are good, a little mic bleed never hurt anybody. IMO it actually helps capture the experience, doesn't sound so "manufactured" for lack of a better word.Actually, some engineers and producers are trying those old methods again.
Forcing themselves to work old school with limited track counts to get more of an authentic old school sound.
Micing the band/artist live or at least in live sections with overdubs as needed.
Not insisting on pristine isolation of each track, allowing mic bleed to give the project or song a more live band feel.
In other words recording a band rather than recording tracks.