I friggin love bill withers man... What a great songwriter...
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Haha "rumpty rumpty", I love it! Lemme guess, the solo went "widdly widdly widdly" right?Yep, I watched a band go from lots of gigs with happy people when we played uptempo dance tunes, to few gigs with cranky people, when the guitar player (also the band leader, unfortunately) decided every song should be a blues that goes "rumpty-rumpty-rumpty-rumpty" and has three or five or eight minutes of guitar solo.
I'm literally doing this off the top of my head because I don't have an active electronic list with me at the moment - our main guitarist has a heavily edited master printout that we use to spin off individual sets or just call them out as we're reading the crowd. So here's my attempt at a master list from memory. Songs listed are by the artist's rendition and not necessarily the actual authors:
Red House - Jimi Hendrix
Tightrope - Stevie Ray Vaughn
Five Long Years - Eric Clapton
White Room - Cream
The Bends - Radiohead
Cinnamon Girl - Neil Young
Badge - Cream
LaGrange - ZZ Top
Under The Bridge - Red Hot Chili Peppers
Good Time Bad Times - Led Zeppelin
Paranoid - Black Sabbath
White Wedding - Billy Idol
Everlong - Foo Fighters
Sunshine of Your Love - Cream
Maybelline - Chuck Berry
My Hero - Foo Fighters
War Pigs - Black Sabbath
Why Does Love Have to be So Sad - Derek and the Dominoes
Mississippi Queen - Mountain
Mary Jane's Last Dance - Tom Petty
Shooting Star - Bad Company
Roadhouse Blues - Doors
Crossroads - Cream
Just What I Needed - Cars
When You Were Young - Killers
Comfortably Numb - Pink Floyd
Scar Tissue - Red Hot Chili Peppers
The Seeker - Who
You Wreck Me - Tom Petty
Love Me Two Times - Doors
Creep - Radiohead
Down By the River - Neil Young
Leave My Little Girl Alone - Stevie Ray Vaughn
Hey Joe - Jimi Hendrix
Working Man - Rush
Sultans of Swing - Dire Straits
...I'm sure there are a few more that I just can't recall at the moment, but you get the basic idea.
Good funk guitar is a wonderful thing.
He's one of my favourite songwriters ever.I friggin love bill withers man... What a great songwriter...
All great songs! But it's hard to imagine people dancing to some of them - like War Pigs, or Paranoid, or Down By The River - do people dance to these?
What the heck is google??What the heck is "dad rock?" Do you need to have a "dad bod" and wear "dad jeans" to play it? Do you need to have a brace of brats?
Anybody else run into this?
sounds like you need a musician who plays guitar. good luck finding one!![]()
I think they would rock *and* be danceable.
I used to be a rhythm guitarist, but I switched to bass 40 years ago cuz I got more work. Nobody wanted a groove rhythm guitarist, they wanted hot lead guitarists who played like Hendrix or Clapton. Sound familiar?Getting guitar players interested in groove
I wish you luck with this, sir! Most lead guitarists I've played with are more interested in their pedalboards than groove...sigh...
Pure rhythm guitarists, or BL's who play guitar, are a little easier IME
There's one tune we used to do, back when we had a different lead player and a full time singer - most of you likely wouldn't be familiar with it, as it was done by a Canadian bar band, Doug and the Slugs - wildly popular coast to coast back in the early 80s, but only in Canada. Pretty much everybody in Canada our age including people who'd be our audience would know it though. The song was "Makin' It Work" if you want to YouTube it. The rhythm guitar does a "chank" on the 2 and 4. Our rhythm guitar player kept just copying the bass part. I pointed out what the guitar part is, hummed it for him while clapping the beat, and he could *not* get it. 2 and 4! It drove me nuts as that little bit was IMO essential to the whole groove, as was the bass part played on just bass. What he was doing was killing the groove.
What the heck is "dad rock?" Do you need to have a "dad bod" and wear "dad jeans" to play it? Do you need to have a brace of brats?
Anybody else doing the "dad rock" thing and having trouble with guitar players and song selection?
For example - current band, I really want to do some older R&B and British blues rock tunes that carry a beat and a groove, as well as pretty much anything from the 70s-10's that can be adapted to two guitars and has a groove (like Daft Punk "Get Lucky, for example). The drummer and I can carry off our parts, but the guitar players are uninterested. The lead guy wants to do Kenny Wayne Shepherd "Blue On Black", Jimi Hendrix "Red House," and songs that are fun for lead guitar players. The Rhythm guitar player is a bit more on board with the "danceable" aspect of songs but really doesn't know a lot of danceable songs outside of the country genre. Sometimes too, when there's a part where the bass and drums are supposed to play together without guitars, he will copy the bass line on his guitar, which to me totally kills the groove.
I'd like to do some old classics, like Knock On Wood, Soul Man, some Spencer Davis Group tunes, etc and have the guitars figure out something to cover the horn parts. I think they would rock *and* be danceable.
Anybody else run into this? Anybody successfully manage through it?
What the heck is google??
Rock that old fogeys over the age of 40 listen to to the exclusion of everything else. Eric Clapton, pre-Stevie Nicks Fleetwood Mac, Supertramp, etc.