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Gig Bag recommendations. (High End)

I am really interested in this thread. I have a Music Man Sterling I would like a gig bag for. I have a hard case, but it is pretty well worn out. I don't travel other than by my car, so a gig bag probably meets my needs best.

I am learning towards the Mono Vertigo, but the cost is high for me. Still trying to find the best protection for the lowest cost.
 
I am really interested in this thread. I have a Music Man Sterling I would like a gig bag for. I have a hard case, but it is pretty well worn out. I don't travel other than by my car, so a gig bag probably meets my needs best.

I am learning towards the Mono Vertigo, but the cost is high for me. Still trying to find the best protection for the lowest cost.
I also have a ProTec Contigo. It's probably the least expensive of the quality gig bags. I think they're worth checking out.
 
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I like Mono bags, but I do have a problem on one of mine where the zipper that keeps the handle foam inside has fallen apart. I have no idea how or why, but I messaged Mono to see about a fix/replacement. Not sure if it'll be a problem since my case came from Serek.

Are the Serek cases made by Mono or do you have one of the Bass Sleeves they used in the transition period between the new bags and the Levy’s ones?
 

As long as truth-in-advertising is a thing,
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I would also have gone with the Vertigo. The Access Stage 5 (if it’s basically the same as the Sadowsky Portabag, which I believe it is) is great but it’s a bit bulky and heavy compared to softer offerings. I have a Contego but I don’t particularly care for it (though Protec may very well have changed their design since I got mine around eleven years ago). My only gripe with the Vertigo is the lack of pouch storage space (an upper pouch, especially, would have been nice). The original M80 is a bit better in that regard but I prefer the protective aspect of the Vertigo.
 
In my part of the world, there is zero chance of bringing a full-sized bass as a carry-on, so a few years ago I started a thread here on TB with the intention of ascertaining whether the Mono offerings would protect a bass when checked and traveling in the hold because my suspicion is that it wouldn’t be a problem. I therefore asked if anyone had had a bass damaged in such cirumstances. I got a great many strong, but ultimately unsubstantiated opinions, but very little in the way of real-world information.

I don't have real-world experience either, but I saw how they shoved my bass in its flight case. If that's how they do things, I would not trust the Mono gigbag.
 
I don't have real-world experience either, but I saw how they shoved my bass in its flight case. If that's how they do things, I would not trust the Mono gigbag.
It might not be. Flight cases are usually roughly handled, because they’re solid, heavy, and it’s assumed that they can take a beating. In addition, a flight case usually doesn’t reveal its contents, so baggage handlers have no special reason to be gentle. A gig bag will in most cases be a lot lighter, and look like a musical instrument, and may therefore merit more careful handling.
 
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I am really interested in this thread. I have a Music Man Sterling I would like a gig bag for. I have a hard case, but it is pretty well worn out. I don't travel other than by my car, so a gig bag probably meets my needs best.

I am learning towards the Mono Vertigo, but the cost is high for me. Still trying to find the best protection for the lowest cost.
The Vertigo is really good. It’s super-protective and very hard-wearing. I’ve had mine for about nine years, and it still looks more or less new.

But it’s far from being the cheapest option. There are other options that cost considerably less, but come close in terms of protection. They are mostly fairly traditional in design, but if you don’t mind that, the field widens considerably.

Gator has several good options such as the Transit and the Pro-Go. Fender has the FB-1225. And if you really want the top-loading feature, Mono has the Bass Sleeve, which has many of the features of the Vertigo, and protection which is almost as good, but costs about 30% less.
 
It might not be. Flight cases are usually roughly handled, because they’re solid, heavy, and it’s assumed that they can take a beating. In addition, a flight case usually doesn’t reveal its contents, so baggage handlers have no special reason to be gentle. A gig bag will in most cases be a lot lighter, and look like a musical instrument, and may therefore merit more careful handling.

I don't think all baggage handlers will be gentle because it is a softer gigbag.
 
I don't think all baggage handlers will be gentle because it is a softer gigbag.
That is why I used the word «may». There are no guarantees in life, you just have to weigh the pros and cons, find out what’s most important to you, and what risks you are willing to take, and that’s very much a personal thing.

But when it comes to the question of air travel with gig bags/hard cases, many people, both here on TB and elsewhere (present company excepted, of course ;)), are more than willing to offer both advice and opinions (sometimes very strong) based on very little other than their own personal preferences and largely unsubstantiated suppositions. The truth is, we just don’t have enough to go on to know one way or the other.

In order to be reasonably sure of our ground in this matter, we need at least one of two things (I’ve said this in other threads as well, but it bears repeating):

1) Against: A moderate number of horror stories; i. e. stories of basses being severely damaged in good quality gig bags when traveling as checked luggage. This would indicate that they had both been subjected to significant force during travel and/or handling, and that the gig bag afforded insufficient protection.

2) For: A large number of success stories; i. e. stories of basses traveling in gig bags as checked luggage, and arriving unscathed.

Note that we need far more success stories than horror stories to conclude that basses can safely be checked in gig bags, in order to eliminate the possibility of it just being good luck.

It’s highly unlikely that we’ll get either of these things anytime soon, as most players are simply unwilling to risk it. So we won’t know for sure in the foreseeable future. Which is why we all have to make decisions on what risks we personally want to run.

And by the way, whichever alternative we pick, there is always the chance of the bass simply getting lost in transit, or even stolen, so we should always be careful to have insurance.
 
That is why I used the word «may». There are no guarantees in life, you just have to weigh the pros and cons, find out what’s most important to you, and what risks you are willing to take, and that’s very much a personal thing.

But when it comes to the question of air travel with gig bags/hard cases, many people, both here on TB and elsewhere (present company excepted, of course ;)), are more than willing to offer both advice and opinions (sometimes very strong) based on very little other than their own personal preferences and largely unsubstantiated suppositions. The truth is, we just don’t have enough to go on to know one way or the other.

In order to be reasonably sure of our ground in this matter, we need at least one of two things (I’ve said this in other threads as well, but it bears repeating):

1) Against: A moderate number of horror stories; i. e. stories of basses being severely damaged in good quality gig bags when traveling as checked luggage. This would indicate that they had both been subjected to significant force during travel and/or handling, and that the gig bag afforded insufficient protection.

2) For: A large number of success stories; i. e. stories of basses traveling in gig bags as checked luggage, and arriving unscathed.

Note that we need far more success stories than horror stories to conclude that basses can safely be checked in gig bags, in order to eliminate the possibility of it just being good luck.

It’s highly unlikely that we’ll get either of these things anytime soon, as most players are simply unwilling to risk it. So we won’t know for sure in the foreseeable future. Which is why we all have to make decisions on what risks we personally want to run.

And by the way, whichever alternative we pick, there is always the chance of the bass simply getting lost in transit, or even stolen, so we should always be careful to have insurance.

True, and I'm in the group that won't risk. I'd either take the bass w/ me in a soft gig bag, or check it in in a flight case. Baggages getting lost in transit is a whole different story that can happen no matter what.
 
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That is why I used the word «may». There are no guarantees in life, you just have to weigh the pros and cons, find out what’s most important to you, and what risks you are willing to take, and that’s very much a personal thing.

But when it comes to the question of air travel with gig bags/hard cases, many people, both here on TB and elsewhere (present company excepted, of course ;)), are more than willing to offer both advice and opinions (sometimes very strong) based on very little other than their own personal preferences and largely unsubstantiated suppositions. The truth is, we just don’t have enough to go on to know one way or the other.

In order to be reasonably sure of our ground in this matter, we need at least one of two things (I’ve said this in other threads as well, but it bears repeating):

1) Against: A moderate number of horror stories; i. e. stories of basses being severely damaged in good quality gig bags when traveling as checked luggage. This would indicate that they had both been subjected to significant force during travel and/or handling, and that the gig bag afforded insufficient protection.

2) For: A large number of success stories; i. e. stories of basses traveling in gig bags as checked luggage, and arriving unscathed.

Note that we need far more success stories than horror stories to conclude that basses can safely be checked in gig bags, in order to eliminate the possibility of it just being good luck.

It’s highly unlikely that we’ll get either of these things anytime soon, as most players are simply unwilling to risk it. So we won’t know for sure in the foreseeable future. Which is why we all have to make decisions on what risks we personally want to run.

And by the way, whichever alternative we pick, there is always the chance of the bass simply getting lost in transit, or even stolen, so we should always be careful to have insurance.


Maybe someone is willing to buy a Harley Benton / SX / Glarry bass for small money and check it in various gig bags on a ton of flights ;-)
 

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