• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Going in for my first gig later this week.

Words of advice:
  • Pack your bags the night before and double check to make sure you have everything you need. Bass. Strap. Patch cables. Amp/cab. Speaker Cables. Tuner. And whatever other "bare minimum essentials" you think you need to get through your set.
  • Pack a dedicated go-bag with a multi-tool, screw driver, snippers, extra strings, extension cord, an extra patch cable that you know isn’t broken, nail clipper, spare t-shirt, and a protein bar or something else to eat that won't upset your stomach. These items now live in this bag until they are needed. Bonus points: pepto bismol and advil.
  • Confirm with the venue/promoter what, if anything, you as a band may need to bring. Sounds like it's a serious venue, so hopefully nothing other than your own guitars and amps.
    • Confirm if backline (amps/drums) is being provided. If so, please consider using it and resist the urge to insist on setting up your own amps. Backline is often provided (a) to save the band effort and make your job easier, but also primarily (b) to reduce hassle and streamline changeovers between bands. The production team is probably counting on you using whatever they have provided to help make the night run smoothly and seamlessly.
    • If backline is being provided, confirm what, if anything, is not included. eg. Typically drummers will bring their own snare and cymbals (breakables).
  • Show up on time. If soundcheck is at 7:00, you should be on stage, fully setup and roughly dialed in, ready and waiting for your queue to make noise at 6:59.
  • Be crystal clear with the sound techs what you need for your stage setup (talking bare minimum... number of vocal mics, etc). Don't be shy or make concessions because you think it's too much work for them. Tell them what you need and they should do their job to make that happen, or tell you why they can't.
    • That being said, you should also be flexible, and if you can't get what you want, trust that the sound person will do everything they can to make you sound good in the mix regardless of circumstances.
    • Do not, under any circumstances, be a jerk to the sound person.
  • If you make a mistake on stage, don't sweat it. Try not to make a face or act embarrassed (it's hard sometimes). Just smile, figure out what you did wrong and move on with the song and try not to make the same mistake when that part of the song comes around again.
  • Write your setlist down on a separate piece of paper for each band member. I don't care how many times you've played through the same set. Write. It. Down.
  • Hydrate, and bathroom break immediately before you're scheduled to start.
  • Tune before you start. And for the love of god tune silently.
  • Breathe.
  • Act like you're having fun. :p
Rookie Mistakes:
  • Showing up without a critical piece of gear.
  • Showing up late.
  • Arguing with the sound person over minor details (like what brand of microphone they give you, or type of DI or other gear choices, etc.) They know the PA and the room better than you do. Trust them to do their jobs, and do whatever you can to make it as straight forward as possible for them. Help them help you.
  • Noodling during sound check. DO NOT MAKE NOISE while the sound person is working on other instruments. If you must noodle, mute your amp.
  • Being sheepish about your monitor mix. If you can't hear what you need out of your monitor, tell the sound person.
  • Being out of tune, and/or tuning by ear at full volume on stage with the PA engaged.
  • Noodling at full volume between songs.
  • Dead air on stage between songs... Keep the set list moving as smoothly as possible. If you need a break between songs to tune, signal to the band that you're tuning so they don't start the next song before you're ready. Someone should thank the crowd, tell a story or a joke to fill the time.
  • If things really do go south, resist the urge to trainwreck the song and start over. If you can, turn your volume down until you figure out where you're at and come back in when you're ready. However, if the band absolutely must stop and start over, do it gracefully... don't get upset or point fingers, do laugh or make a joke, apologize, and start again.
Etiquette:
  • Be on time.
  • Be professional and courteous to everyone involved in the production for the evening.
  • Don’t play past your allotted time.
  • Get everything off the stage ASAP after you’re done playing. Don't disappear to sign autographs until all your poopie is cleaned up and out of the way.
  • Don't sneak beers into the venue. If you must, drink them outside in the parking lot and dispose of the empties discretely. :p
All good points but I hope you didn't just overwhelm the poor guy with details and possibilities!! :laugh:
 
Just have fun, even seasoned pros dish up a few clams on songs they've written and played a thousand times. Once you hit your first tricky lick and nail it, it's a done deal. It's music, baby, feel the fear and do it anyway!
 
The environment will be different than you think it will be - that's the thing that is most likely to throw you. Ridiculous amounts (or what seems like ridiculous amounts) of preparation are what you need to succeed in this kind of thing - if you know your stuff cold, you can have fun with the fact that things are different. If you go in unprepared, that stuff with throw you, and you'll have a tough time.

One saying that covers this: Amateurs practice until they get it right. Pros practice until they can't get it wrong.

And yes, you'll make mistakes. I've played many hundreds of gigs at this point. The number of perfect gigs at this point is, so far, still zero. Over time, you don't make fewer mistakes, you make smaller mistakes - ones that the audience is less likely to notice.
 
Last edited:
  • Like
Reactions: NKBassman
Make sure you know your material inside out. Relax the day before; no need to go over the material if you know it. I prefer to not eat four hours or so before downbeat, but that's just me. Show up on time or early with all your gear in order and enjoy the ride.
 
It's live music! Be excited! Be prepared. All that stuff everyone has said. Mistakes? Gone in a second! Memories? Last a lifetime! Make them good ones. You get to choose. I make plenty of mistakes, not too many outright clams (enough for an appetizer, maybe, but not an entree). When I do, I invariably smile and laugh, not to cover up but because it reminds me I'm human and fallible and that's not a bad thing, it means there's still room for me to grow. And the audience thinks I'm having a good time, which I am, just not for the reason they think!
 
  • Like
Reactions: ReggieRochester
My best advice: Treat this like a job.
  • Show up on time for stage call/load in. Not an hour early, on-time.
  • Show up ready with all equipment at 100% bring spare strings, drum sticks, batteries etc.
  • Use as much of the house's equipment as they want you to. IE if they have cables, use their cables, if they have a DI box, use their DI box. Many a gig have been ruined by a road-musicians crunchy cable. If you are using the house equipment, it's their problem
  • Offer to backline with the headliner. The less crap they gotta move on and off the stage, the better. Their stuff is probably nicer than your's anyways.
  • Once your stage levels are set - DON'T touch the controls at all. If you can't hear, tell someone and they will fix your monitor. You have no idea how things sound in the house mix, making changes from the stage causes enormous messes in the house
  • In general, be the guy who says "yes".
  • When it's time to stop playing. Stop. No encore, no 'please one more'. If you only get 20 min of a 30 min set, that's life. You aren't the main act, and the stage manager has a time table to keep.
  • There may be drinks in the green room. Leave those (all of them) until after your set. Don't get hammered, period.
  • You will likely have a lot of downtime, bring a book or something.
  • I'll say it again for emphasis. Treat this like a job.
 
Enjoy the music. You're there to make sure everyone else will, and your enthusiasm will be contagious (all of you).
Take a bottle of water, and a towel with you (see above about checking with stage manager). Yes, it will come in handy.
Make eye contact. Smile at the drummer. Catch the groove.
If you make a mistake that's obvious, laugh, and move on.
Be conscious of (a) your headstock, and (b) dancing singers/guitar players [been there, done that]
If you see someone dancing/leaping around/rocking out etc. acknowledge them with a smile/wink/nod. They're enjoying the music. You should too.
Break a leg, and have fun.
 
  • Like
Reactions: Jev1

Latest posts