• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

good blues players

Johnny B. Gaydon is one of the best. Really great funky parts, never cliches. Great groove. He can play a lot of different styles too. His work with guitarist Albert Collins is easy to find and worth a listen.

Not a blues player, but Rocco Prestia with Tower of Power has great stuff that can be applied to blues. For simpler playing, but really solid and tasteful is Roscoe Beck. He can play music other than blues too. Check him out with Robben Ford and the Blue Line and with Bonny Raite.
 
Johnny B. Gaydon is one of the best. Really great funky parts, never cliches. Great groove. He can play a lot of different styles too. His work with guitarist Albert Collins is easy to find and worth a listen.

Not a blues player, but Rocco Prestia with Tower of Power has great stuff that can be applied to blues. For simpler playing, but really solid and tasteful is Roscoe Beck. He can play music other than blues too. Check him out with Robben Ford and the Blue Line and with Bonny Raite.

It's not really 'blues' but Roscoe did some fantastic playing on Eric Johnson's 'Tones' album. Killer solo and lines on 'Zap'.

:bassist:
 
I got the book I mentioned in my previous post (quoted beneath this mini review) and I wanted to come back and post a mini review of my impressions so far.

I like it a lot; it is almost exactly what I was looking for. It has several songs that are "in the style of" different artists. They are not specific songs (though some certainly sound like an arrangement of one standard or another). This is not a book that will teach you note for note transcriptions of specific songs. It teaches you a bunch of different blues bass lines. The music is recorded with a full band. There are no vocals, but a lot of good blues guitar solos. There are no bass solos; it is about providing bass rhythm for a blues band. The bass is in the left stereo channel and the rest of the band is in the right, so you can adjust the mix to hear it all, just the bass or just the rest for play along. An interesting note about that - since I am in the US, the left front seat in my car is the driver's seat, so when I listen to the CD in the car, I really feel those bass lines. The songs are only a couple of minutes or less each; they go through the full progression and turnaround a couple of times.

I know a bit about keys and locating the root of the current chord and paying attention to where I am relative to that root so I can transpose the lines pretty freely. That is very important, because there really isn't much about that in the book and it probably would not be near as valuable if I couldn't do that. For example, the song that is in the style of Duck Dunn is in A and it starts on an A. I know to take the shape of the line and move it to other starting points to get other keys. If I didn't know that, then all I would have learned is an A blues line.

There are 19 different bass lines, though some are not that different from each other (but those little differences are important). There is some additional info on set up, recording, tuning, etc, but it is pretty brief. Mostly it has music.

I think it can take me pretty far toward being a solid bassist for a blues band, with the caveat that I know how to transpose and I am not concerned with soloing right now.

Invalid Link Removed are pretty good. I just ordered JUMP 'N' BLUES BASS which has a CD with bass through a different channel than the rest of the band so you can turn it off to play along. Here is their description:
Essential jump/swing and modern blues bass lines for electric and upright players. Includes lessons and music in the style of Willie Dixon, Larry Taylor, Edgar Willis, Duck Dunn, Tommy Shannon, and more! The CD includes a lives blues band with over 20 play-along tracks.

00695292.gif
 
But wait, there's more...

I forgot to say the music is in notation and tab and it is always written end to end, meaning you don't have to figure out when to loop back to where and when to skip over what. Key signatures are indicated in notation and chords are given by letter (which also generally makes it pretty easy to figure out the key).
 
And one that I've listened to lately...new-to-me also
Aron Burton

Samples are here:
[Invalid or Expired Link Removed]

Here are a few more from the same GREAT outlet:
[Invalid or Expired Link Removed]
[Invalid or Expired Link Removed]
[Invalid or Expired Link Removed]

A LOT my blues influences are mentioned in previous posts above with the exception of two that slip my mind(their stuff's on my vinyl records waiting to be converted to digital). They'll be added when I recall or look them up.
 
Others have also mentioned him, but I've always felt that Jerry Jemmott is one of the finest blues bass players ever. Listen to the "Well" side of B.B. King's "Live and Well" album. Awesome...

Some of favorite Jemmott blues playing is on Otis Rush's Mourning in The Morning album. One of my favorite modern day blues bassist is Dave Smith out of Memphis, he's on tons of records and just plays the perfect lines for the songs, the guys is a stud!
 
A lot of good names have been thrown out already.
One that comes to mind that hasn't been mentioned is John McVie.
His work with The Bluesbreakers was great along with early Fleetwood Mac (before they brought in the girls)

Invalid Link Removed