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Great music recorded on cheap instruments

Eddy built his Frankenstrat from Kramer parts and Floyd Rose tremolo systems.

Kramer used to be strictly a parts company they didn't produce any guitars until Eddy put them on the map.
You’re thinking of Wayne Charvel, who made parts for Boogie Bodies, Mighty Mite, and DiMarzio.

The Charvel body used on the first Frankenstrat in 1977 was one of a batch of about 100 built from a design by Dave Schecter. So, there’s some debate about who should get credit!

The original neck was from a ‘61 Strat, though it went through bunch of necks in a short time. Floyd Rose didn’t even hit the market until 1980; EVH used a conventional Strat-style bridge. The Kramer connection wasn’t until a bit later (around 1982).

It’s hard to pin down details because this was a time when there was lots of excitement around guitar hotrodding in Southern California: guys like Charvel, Schecter, Carlos Sandoval, Larry DiMarzio, Lynn Ellsworth, and Jim Warmoth were all working together and collaborating in various ways. Then you have Floyd Rose and Grover Jackson getting into the mix. Must have been a wild time!
 
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Eddy built his Frankenstrat from Kramer parts and Floyd Rose tremolo systems.

Kramer used to be strictly a parts company they didn't produce any guitars until Eddy put them on the map. I'm not sure of the Floyd Rose numbers (although both companies were in NJ when I was), but I would be willing to bet Floyd wasn't nearly as "universal" in 1976 as they are today.


Kramer wasn't until much later. The tremolo on the first two albums was from a '58 strat.
 
David Lindley (worked with Warren Zevon and many others) has a notorious taste for odd old crappy guitars, making them sound great...
Marc Ribot is similar. Always seems to be playing those $50 pawn shop junk guitars and making them work.


How about Jon Spencer of Blues Explosion, plays a really crappy old Teisco.


Seasick Steve?


Hell, Kashmir was recorded with a cheap crappy Danelectro -- they're worth $$ now because of the association


Talking of which, Jack White -- but then all the pries went up because he was using old Harmonys. Same with Black Keys.

How about the Hill Country Blues guys. That's real low budget stuff, but great.



isn't David Lindley famous for playing Dumbles though -- the antithesis of cheap
 
Trivia question: What early '80s movie was this guy in?

"Using my head for an ashtray"

The best live bass sound I've ever heard in 40 years of countless concerts I've seen; Zander Schloss playing this Harmony Silhouette through an SVT VR with The Weirdoes. Very warm and bloomy sounding but with enough rough or primitive sonic content to sound absolutely but unstereotypically (is that a word?) punk rock.

This picture was probably taken at that show at the Echoplex in L.A. It was intersting to see all who came to see the show. Seeing David J. from Bauhaus there was most surprising.

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Joy Division? I think Bernard Summer was the one that used pricier equipment (not sure about how much Shergolds were but he used an SG), but Hooky didn't start using Yamaha BB2000s until New Order. It's safe to assume on all of Joy Division's tracks he recorded with a cheap Hondo Rickenbacker. Hooky's playing style came from playing with crummy speakers that barely registered low notes, which I always found an inspiration to my own playing style.
Most Shergolds were affordable instruments, aside from some special models. Bernard had a cheap Japanese SG copy in addition to his Gibson SG too, I'm not sure if it got used on any recordings though. In the later days of Joy Division Hooky did get a Yamaha BB1200 and a Shergold Marathon 6, both of which were used on Closer, but everything recorded before 1980 is the Hondo II Ric copy.
 
Is anyone aware of any great recordings done with cheap instruments?

I'm talking about clearly heard instruments on songs that have endured, and are held in regard as great moments in history of rock, pop, etc.

Music that sounds great when played through the finest sound system.

Elastica. According to interviews, Squier guitars and bass.

Quite possibly early UB40. Early photos of the basses used by Earl Falconer include what look like Japanese imports.

Do they Ibanez Roadstars used by several in the early 80s count?

The early English Beat recordings (Peel sessions) included things like WEM guitars and ancient Vox, although I'm not sure what was available in the studio. By the second album, Fenders were in evidence, but the WEM pseudo-Strat was at least in videos.

Glenn Cornick had what looked to be something like a cheap WEM neck on his Jazz bass in the early days, with a headstock much like a Sire. I don't know if it made it onto recordings.
 
If a synonym for "cheap" in your world is "inexpensive" just about any decent recording with a Fender instrument. Fender was founded as a company providing inexpensive instruments to the masses, a tradition that survives to this day.

Location is important here. In the UK in the 1960s a Fender was a very expensive import item, hence a number of bands used domestic alternatives of various qualities. Vox was one popular choice, although many were made in Italy. Users, including recorded, of Vox include Bill Wyman, Brian Jones and Jimmy Page in the 1960s, and Dave Wakeling in the early 80s alongside WEM and Fender.

The Shadows, Honeycombs, etc., endorsed Burns, even though Hank Marvin is typically associated with a Strat.
 
Reggie Wooten rocks a Squire Strat. Kind a funny juxtaposition with Victor on his custom Fodera
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Beatles. Just saying.

Right. Although kinda depends on song/era. George's Gretsches were not cheap. Nor were the later Rics (12 strings, Macca's bass). The Gibson J160 acoustics were not cheap. In 65 they got Strats, in 67 they got Martin D28s (Blackbird, Julia) then George's gorgeous Gibson J200 (heard prominently on the intro of For You Blue then given to Dylan who's holding it on the cover of Nashville Skyline). Then of course the famous Kubicki built rosewood Tele. (And others, lefty and righty Jazz Basses, George's ES-335, for example.)

But yes, the Epi Casinos were cheap and used A LOT. Both John and Paul in both word and deed christened them their favorite electrics (cue Band on the Run). Paul's two Hofners were cheap of course. And of particular note, the most covered song in music history, Yesterday, was played on an Epiphone Texan (upside down, and tuned down a whole step.) So yes some VERY notable music on cheapies.
 
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Might have been different back in the day, but I've wanted an ES-175 for awhile but simply can't justify over $3k. I feel like it's about as far from cheap as you can get without going custom :bassist:
one of my favourite guitarists is Jim Hall, and on records I dig he's using his old P90 equipped ES-175, an 'affordable jazz guitar' of that time. I believe, it was cheaper than a Tele back then, so yeah, it could be considered somewhat a budget guitar.

Herb Ellis and Joe Pass also owned and played a ES-175, albeit a 53 revision. some Joe Pass lovers state, they like his tone on the ES-175 best, better than on his more expensive guitars.