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Guitar players corner!

I am a bass player, but started playing guitar in the early 90's after some really bad upright technique (or rather, a total lack of it) caused enough tendonitis that I had to take a hiatus from playing bass. The absence of music was making me crazy, so I picked up a few chords and learned rhythm guitar. Then some flatpicking. Then mandolin poisoning set in. It all began to run together eventually... I saw how all the different parts fit together and I swear it made me hear the bass parts differently. I never looked back... been a switch-hitter ever since.

Anyway... here are a couple of my 6-string wooden friends.

Fender Telecaster-
Tele-Champ 40.jpeg


Epiphone Les Paul '56 Pro "Redtop"-
'56 Pro.jpeg


C.F. Martin & Co. D-18 Vintage Series-
D-18 VS.jpeg


C.F. Martin & Co. 00-18 Custom Shop build-
CS 00-18 (front).jpeg
 
I’m in. I have been playing guitar since I was six years old, I’m 59 now. As a weekend warrior I have played bass, guitar, harmonica, mandolin and banjo. If I had to pick a favorite instrument it would probably be bass but guitar and mandolin would be pretty close behind. I don’t see a compelling reason to limit myself to one form of musical expression.
 
New GAS Sunday. Returned/Swapped out the Fender Blues Deluxe Reissue for the Marshall DSL40CR. This amp for my purposes is better in every way. If you play a lot of clean stuff and have a Tele or Strat, you'd probably love the Blues Deluxe, but for me, this Marshall is a much better fit and my PRS sounds so much better in every configuration. I'll bet a tele or strat would be great paired with the Fender amp though.
Resized_20201109_110111 (2).jpeg

As a bonus, GC was having a 15% off sale, so I got a $50 less amp, got 15% off of it, so added a Keeley Compressor + and a capo and still got $21 back. The compressor was perfect addition to help the clean on the Marshall to be great and really very satisfying for me in every way.
 
New GAS Sunday. Returned/Swapped out the Fender Blues Deluxe Reissue for the Marshall DSL40CR. This amp for my purposes is better in every way. If you play a lot of clean stuff and have a Tele or Strat, you'd probably love the Blues Deluxe, but for me, this Marshall is a much better fit and my PRS sounds so much better in every configuration. I'll bet a tele or strat would be great paired with the Fender amp though.
View attachment 4047722
As a bonus, GC was having a 15% off sale, so I got a $50 less amp, got 15% off of it, so added a Keeley Compressor + and a capo and still got $21 back. The compressor was perfect addition to help the clean on the Marshall to be great and really very satisfying for me in every way.
Nice amp. May I ask what kind of music do you play with it? Do you use high-gain distortion?
 
Nice amp. May I ask what kind of music do you play with it? Do you use high-gain distortion?

Yes, I mostly like to rock. I do some finger style stuff, like yesterday I jamming to RHCP Scar Tissue through the compressor on coil tapped neck PU and middle position PU's and it sounded so good even on bridge PU. Same for like U2 With or Without you that I was also jamming on last night. Sounded plenty clean to me with a little jangle. You just can't turn it way up because it will break up more quickly. Still can turn plenty loud for myself and stay clean and certainly enough that you could mic it if you needed to for a gig. I'm sure someone can make the Fender win in this clean and blues arena for that style of music, but I was very pleased with what clean I was getting from the new Marshall.

But then switch to the Crunch option (Clean channel 2nd option) and it is almost plenty of distortion for most needs. Go to the dirty channel for OD1 option and so easily get as much disortion as I can imagine ever needing. OD2 is just stupid distortion levels on steriods. I have a DS-1 pedal that I can set to very mild and run on the straight clean of the Marshall and get great distortion, but since the amp is 2 channel and the second channel OD1 is already truly as dirty as anything I can ever imagine needing, I'll likely never use the DS-1 again unless maybe strictly as a gain/OD for soloing is all I can think of. The DS-1 - while it sounds pretty okay and all, does not sound as good as the amp can all by itself. It was very useful in getting the Fender amp to tone down and get enough distortion between it and the dirty channel, but I was struggling to hit the pedal and footswitch at the same time when using on the Fender amp.

I love this new Marshall amp. Also, even though it shares EQ between the channels, it is more robust where I found the Fender to be dialed in right on clean channel, but then paper thin on distortion channel. If I tried to beef it up for distortion channel, the lows were way too pronounced and overpowering on the clean channel. It could just be me too and some other cat could find the balance and get great tones from the Fender with ease; but admittedly, I wanted the Marshall in the first place because that sound is my favorite.

I also played a VOX AC30 while test driving, but it wasn't 2 channel and no footswitch. I personally like it's crunch much better than the Fender, but not quite as much as the Marshall. I'm sure a pedal could make that thing sound so right though. It's clean was great too.

The Marshall is thick in every option and while I'm sure I can tweak between them, I can easily find one setting that is thick and smooth in every one of the 4 options.

Sorry for being so long. I'm not knocking the Fender. That thing will absolutely blow your ears out and can be made to sound incredible. It just isn't my favorite sound.
 
Yes, I mostly like to rock. I do some finger style stuff, like yesterday I jamming to RHCP Scar Tissue through the compressor on coil tapped neck PU and middle position PU's and it sounded so good even on bridge PU. Same for like U2 With or Without you that I was also jamming on last night. Sounded plenty clean to me with a little jangle. You just can't turn it way up because it will break up more quickly. Still can turn plenty loud for myself and stay clean and certainly enough that you could mic it if you needed to for a gig. I'm sure someone can make the Fender win in this clean and blues arena for that style of music, but I was very pleased with what clean I was getting from the new Marshall.

But then switch to the Crunch option (Clean channel 2nd option) and it is almost plenty of distortion for most needs. Go to the dirty channel for OD1 option and so easily get as much disortion as I can imagine ever needing. OD2 is just stupid distortion levels on steriods. I have a DS-1 pedal that I can set to very mild and run on the straight clean of the Marshall and get great distortion, but since the amp is 2 channel and the second channel OD1 is already truly as dirty as anything I can ever imagine needing, I'll likely never use the DS-1 again unless maybe strictly as a gain/OD for soloing is all I can think of. The DS-1 - while it sounds pretty okay and all, does not sound as good as the amp can all by itself. It was very useful in getting the Fender amp to tone down and get enough distortion between it and the dirty channel, but I was struggling to hit the pedal and footswitch at the same time when using on the Fender amp.

I love this new Marshall amp. Also, even though it shares EQ between the channels, it is more robust where I found the Fender to be dialed in right on clean channel, but then paper thin on distortion channel. If I tried to beef it up for distortion channel, the lows were way too pronounced and overpowering on the clean channel. It could just be me too and some other cat could find the balance and get great tones from the Fender with ease; but admittedly, I wanted the Marshall in the first place because that sound is my favorite.

I also played a VOX AC30 while test driving, but it wasn't 2 channel and no footswitch. I personally like it's crunch much better than the Fender, but not quite as much as the Marshall. I'm sure a pedal could make that thing sound so right though. It's clean was great too.

The Marshall is thick in every option and while I'm sure I can tweak between them, I can easily find one setting that is thick and smooth in every one of the 4 options.

Sorry for being so long. I'm not knocking the Fender. That thing will absolutely blow your ears out and can be made to sound incredible. It just isn't my favorite sound.

I actually made the exact same trade (Blues Deluxe for the Marshall DSL) and had the same results. The Fender didn’t do the dirty thing the way I like to hear it, and its tone knobs were way too sensitive. Marshall’s don’t get a ton of love for their clean tone, but this one sounds great.
 
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makes sense to me. seems like the best alternative to routing in a new pickup selector altogether. does your guitar currently have a five way selector or no pickup switch at all?
It does not have any switch at all.
The only problem I foresee is that standard Gibson-style switch diameter is 11.5mm, while the hole I'd like to put it in is 7.5mm. So I have to go with a mini switch or to drill a hole for a larger diameter.
 
I actually made the exact same trade (Blues Deluxe for the Marshall DSL) and had the same results. The Fender didn’t do the dirty thing the way I like to hear it, and its tone knobs were way too sensitive. Marshall’s don’t get a ton of love for their clean tone, but this one sounds great.

Yeah, with a lot more time under my belt now on the DSL, I can tell you I can get a really great clean tone out of it. You just can't go up really loud on the really great clean tone because it will start to distort, but it has more than enough head room on the clean tone to mic if you needed to. It will go loud enough and stay clean that it will hurt my ears especially when I flip the guitar to single coil and kick on my delay pedal that adds a boost and I have to turn it down.
 
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