BTW, thanks to all for your suggestions. Saw and heard a lot of coolness the last couple days. I think I'm just not ready for most of this stuff, though. I'd love a Pitch Factor, but for what I'd be able to do with it as a bassist, I think I'd be just as well served by a Whammy Pedal.
One thing I was pretty surprised about was that none of this stuff comes cheap. I thought for sure you guys would point me to something that I could use and was under $150. I guess I'm living in a dream world
Anyway, lots of fun for the kids in this thread...not so much for the old farts. Nobody's looking for me to play industrial music or techno pop...that Slicer will have to wait
Jimmy, not sure what the price of the prometheus is in USD but to me that would be the most versatile and usable envelope filter with add ons for someone that can fit it into their music...
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The Prometheus is everything you've ever wanted in a filter pedal.
* Loads of headroom
* Reasonable size (measures about 3.7x4.7 inches)
* Highpass, Bandpass, and Lowpass filtering with adjustable intensity (resonance)
* Forward and reverse envelope following
* Sample/Hold step filtering based on 3 different wave forms.
* No special power supplies required. Operates with a single 9 volt battery or standard 9 volt adapter.
All that and it has some "hidden features" as well.
* The LFO rate can be adjusted to run much faster than the the step rate. This can be used to create very interesting arpeggiation.
* The Depth knob can push the filter cutoff frequency outside of the audio range. This can be useful to create a slow attack effect.
* The step rate can be turned up high enough for smooth modulation. This can be used to create and autofilter effect, that can sound similar to a phaser or tremolo.
* A fixed filter effect is possible by turning the depth knob down all the way, and using the Frequency knob to set the filter cutoff.
I had no use for it but somethings like the slow attack thing were cool,... used it in a downward mode so it descended into a very ultra low DUB type thing,... only thing I can think of is the start of 'shock' by fear factory just after he yells shock...
I didnt like the sample/hold step filtering thing,... just got really annoying after a while
