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Another important element of the instrument's fat-and-round sound is the pickups' alnico "Tri-Pole" magnet configuration. Although the pickups appear to have 12 polepieces each, there are actually 22, as each string has two dedicated magnets directly below it, located underneath the pickups' covers. Fender says this arrangement reduces the "double-beating effect" for better intonation past the 12th fret, because the magnets have a softer magnetic pull, especially on the B and E strings.
The pickups we ended up using are handmade by Bill Lawrence. I have to give Bill full credit, because without him, I think the project would have died. After my first phone conversation with him, he told me the problem with making a passive 5-string pickup: it had to do with the magnetic field. So Bill not only corrected the "warble" problem on the B string but all across the instrument, because the strength of the magnets varies according to the mass of the string. There are smaller magnets you don't see; there's a stronger magnet underneath the G string than the B. It was all a matter of mathematics...Constantly during the design process, I compared the sound of the bass to my '66 Jazz until it was right.
I have read all that before, but that's the only bit of information I could find. Some pretty interesting design elements.
I wish i didn't sell that bass. It's hard to find it; pickups even harder.![]()
Here's the Fender part number if you want to try having a dealer special order it for you: [FONT=Arial, Helvetica, sans-serif]0056135000[/FONT]