Since few folks are opining on Maruszczyk here, I’ll give my .2 worth.
I play a Frog 5, full disclosure. However, the quality is simply out of this world. The fret work is impeccable. The wiring is boutique-clean and efficiently laid out. The hardware is of the highest quality. The math that went into the design is high-level boutique to be sure. I know a couple of other cats that have played Fodera and they prefer my Maruszczyk. I have played Modulus and Tobias principally in the past, and the next bass I want is another Maruszczyk. It’s just an exceptional instrument, for which I receive tone compliments regularly (aside from the unique body-shape compliments).
Now, I know there are a great deal of top-end P basses out there, and I’m not here to insult any of them one single bit. Yet, if it were me, I would consider the point of diminishing returns on a type of bass that is generally based on a single, original, set of design parameters and electronics. I don’t see the point in buying a P bass built by an Alembic or a Fodera or a Michael Tobias, for example, at 3.5-5k $.
One of their original designs? You bet!
But not a P bass.
From that perspective, a Maruszczyk Jake used at 1,300 - 1,500 or so, or new around 1,700-2k is a lovely sweet spot in the field of Precisions.
Of course you CAN buy a tricked out Jake for 3,500+, and that’s groovy, but the purpose of a P is to do the work of a P.
So I argue that the Maru hits the boutique/high-end sweet spot without costing unnecessary money.
And, I’m wholesale biased in favor of Maruszczyk!!!! Unabashedly!!!
There are SO many great basses mentioned here, you just can’t hardly go wrong!!!
Cheers to excellent problems!!