Chef
In Memoriam
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
The wiring on the other side of the wall plug is a thin brass strip connected to 5-50 year old 12 gauge copper.
Even if the laws of physics were suspended and it made a difference, it is pointless.
Expensive power cords are as useful for producing great bass tones as expensive bobbles are for ensuring a happy marriage.
That's what she said. . .To me long power cords are the best. The ones that don't reach the outlet just sound like nothing.
What stopped wire kinking for me was taking care of cables.

This is why the first thing I do after deciding where the stereo goes in my home is to install multiple 20 amp dedicated circuits with fresh, 10 gauge Romex and 20 amp hospital-grade receptacles. I don't know if physics backs me up or not, but I can sleep at night believing that clean(er) power and 0 voltage drop makes an audible improvement to my stereo.
Of course, concert halls, clubs and rehearsal room circuits are reliably noisy and overloaded. Which is why for me, using an expensive power cord on my bass amp (even assuming it's an improvement) is still lipstick on a pig waste of money.
I mean, those patch cords between my pedals probably subtract more clarity than any so-subtle-that-maybe-it's-just-placebo power cord magic could add back. Talking about being buried in the mix...
Now if this was a recording studio forum.. but even then.. mic placement alone dramatically changes the sound of your rig more than any power cord upgrade could do. Oh, do you go direct in the studio?.. ..so what's this power cord for again?
Go for it Thor. I'm the op. When the "that's what she said" remarks start, it's time to shut it down.