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Hofner-(not just Beatle Basses)-Group Part 2

The pickups are fine, and I'm not overly concerned a out keeping things intact, I was really just wanting the vintage control panel and hoping to get it fixed.

Putting on my retired electronic engineer hat...The control panel is a couple of potentiometers and three switches. Those types of components often fail over time and it may only be repairable by replacement. It could alse be as simple as a cold or cracked solder joint. Any competent luthier who works on electric instruments and equipped with the proper schematic (they're online) should be able to figure it out.

Personally I'm not a fan of the Hofner control layout and I replaced one with a VVT setup and competely bypassed another so just the neck pickup is connected to the jack. That was on current Icon/Ignition Club Bass models and I wouildn't recommend it for a vintage instrument.
 
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Can't recall if I shared this. This is my flats Ignition.

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Time to ditch that nasty hollow molded plastic nut, and have a Goldtone ZS-18 zero-fret nut installed. Makes a surprising difference to the tone, especially the open E string...

Like this you mean? Yep, finally picked her up this morning. Peeled off the plastic films and did a wee bit of noodling and boy does it feel amazing! The LaBella flats are far and away the nicest strings I've ever had on any instrument. Thanks again Steve and Doc Intrepid for all your great advice here! And yes, that's a German Hofner bridge, properly fitted to the top.

Me happy. :D

Zero-Glide nut.JPG


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ok i've tried some more string on my Club bass. I play neck pickup only, bass and treble off, Solo On, i have the neck pickup pot cranked. I realized i don't like Rounds on it, i like Flats.

Roto Tapes - these sound nice, a lot, i mean a LOT of bass on tap, light in the midrange. i found they highlighted intonation issues for some reason (which i didn't have with other strings, just wierd overtones that sounded out of tune but it wasn't).

Pyramid Gold Flats - Nice bottom with very little sustain, thick beefy midrange. these have seen the most time on my bass. i would like a little more top end, they are a little dark.

Gabriel Tenorio Roundcore Roundwound Puro Nickel - Very light tension/high bendability due to roundcore, nice bass and midrange, decent grind on top.

Thomastik-Infeld Jazz Flats - Nice sounding string, did a session and the producer and engineer remarked how much they liked it in a pop/rock setting. Lower tension and way more bendy than the Pyramids, my pickups don't go into the body, they sit on top, so i can't lower their height, and occaisionally on a hard hit the strings hit my pickups. Nice sound but i can't get with the ultra flex of them. i need hex core.


I have some Optima Flatwounds on order, they are Medium Scale (ordered directly off their website), Nickel Flatwound with Hex Core and handmade in Germany (just like Pyramids, or TI in Austria). Most people have said they sound in between the Pyramid and TI, which excites me. Also there's not many strings that fit the Hofner, most companies are just Long Scale, or short scale (too short scale). I'll report back on the Optimas.
 
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ok i've tried some more string on my Club bass. I play neck pickup only, bass and treble off, Solo On, i have the neck pickup pot cranked. I realized i don't like Rounds on it, i like Flats.

Roto Tapes - these sound nice, a lot, i mean a LOT of bass on tap, light in the midrange. i found they highlighted intonation issues for some reason (which i didn't have with other strings, just wierd overtones that sounded out of tune but it wasn't).

Pyramid Gold Flats - Nice bottom with very little sustain, thick beefy midrange. these have seen the most time on my bass. i would like a little more top end, they are a little dark.

Gabriel Tenorio Roundcore Roundwound Puro Nickel - Very light tension/high bendability due to roundcore, nice bass and midrange, decent grind on top.

Thomastik-Infeld Jazz Flats - Nice sounding string, did a session and the producer and engineer remarked how much they liked it in a pop/rock setting. Lower tension and way more bendy than the Pyramids, my pickups don't go into the body, they sit on top, so i can't lower their height, and occaisionally on a hard hit the strings hit my pickups. Nice sound but i can't get with the ultra flex of them. i need hex core.


I have some Optima Flatwounds on order, they are Medium Scale (ordered directly off their website), Nickel Flatwound with Hex Core and handmade in Germany (just like Pyramids, or TI in Austria). Most people have said they sound in between the Pyramid and TI, which excites me. Also there's not many strings that fit the Hofner, most companies are just Long Scale, or short scale (too short scale). I'll report back on the Optimas.

I have heard of a good tip for dealing with the strings hitting the pickups. Put tap on the pickup. Tina Weymouth did it.
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upload_2023-4-4_12-0-36.png
 
I have heard of a good tip for dealing with the strings hitting the pickups. Put tap on the pickup. Tina Weymouth did it.

@Doctor Intrepid, would you (or anyone else reading this) happen to know if the Club is the primary bass Tina used on Remain In Light? I was looking at some pics of her on Getty recently and they've all got dates, so the chronology looks right. It could have been a variety of basses of course, and sounds like it on the album. Anyway, longtime fan of hers.
 
@Doctor Intrepid, would you (or anyone else reading this) happen to know if the Club is the primary bass Tina used on Remain In Light? I was looking at some pics of her on Getty recently and they've all got dates, so the chronology looks right. It could have been a variety of basses of course, and sounds like it on the album. Anyway, longtime fan of hers.

I don't know myself. She does use a variety of basses, as you mentioned, but the Club seems to be her main bass.
 
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