Tempest in a teapot. Although I can think of at least two occasions in the last 25 years when someone in the audience (in both instances, a drunk bass player) complimented me on my tone.
Interesting... I have a similar compliment count on my "sound" from audience members, except they were guitarists. Both times were sub gigs, and although I never drink when practicing or just jamming with friends, I put down a couple (literally 2) tequila shooters each time just to calm a bit of pre show jitters.
Both times I got the complements, I was playing my Squier Affinity Jazz, through my Rumble 500 combo + 210 stack and no effects.
There's a guy locally that gigs on and off, with a blues band, he might be a TBer for all I know, he gigs a relatively road worn no name on the headstock Fender-ish black P bass, through an old Behringer 1x15 combo. I am pretty sure his P bass was the one I saw in a pawn shop in about 2002 for $50.00, some of the road wear damage looks familiar. And that Behringer Ultrabass amp is one of the aluminum cone ones, kind of a Hartke copy ish sort of thing, the cover is torn and beat, no wierd sounds from his gear, no scratchy pots, no buzz, no, none of that junk. Just good solid tone. And I bet he has less in his entire rig, than I do in my SX with fresh pickguard, and Amplug 2 to practice with.
It's not really about the price tag of your gear, although many TBers seem to think that a high dollar instrument helps them play better. Maybe they play better on a high dollar instrument to justify the cost, I don't know. Or maybe they are seeking something very different tone wise than what I am looking for.
And have any of you seen the total lowball "junk" many buskers use?
No, the best gear only goes so far, you MUST have the skill to use that gear, and I can guarantee outside of fellow musicians, as long as the gear you are using does what it is supposed to, nobody in the audience, except maybe your insurance guy, gives half a hoot about the name brand on your stuff, or how much you paid for it! They just want to hear us play, and play well.
The most honest answers I have seen in this thread are those that say they buy the expensive gear because they want it for them, and they can afford it. No fault there, more power to ya bro. I just feel sorry for the guys that spend mega bucks on high end gear under the illusion that it has some magical properties that makes their hamfisted lackluster approach to playing the bass Geddy Lee / Chris Squire awesome overnight. For that it takes time, practice, and education to develop. Not just dumping a bucket of cash on a boutique gear vendor.