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How many 5 string players actually use the B?

This is the reason I need a fiver, unfortunately I haven't find a bass with a good B , at least on the $1000-s1500 range, in all the ones I have played the notes on the B does not sound good to my ears, I just saw a video for Xotic bass, the B was very impressive but I don't have the money right now.

I never heard a B I didn't like. Even my $180 chinese fretless 6 has an awesome B.
 
how many of you 5 string players use the low B often ?


I let the situation dictate what instrument I play...so if I need the extended range, I bring the ERB. If I don't need it, I leave it at home and pack the trusty 4-string. If I've got carte blanche (sp?) to define my parts, I think about context and appropriateness before deciding what instrument to bring, and then if I bring an ERB I use as much of it as necessary to serve the music.
 
Like a million other people who responded already, I may not use it for the lower notes very often, but I use the string a lot to help reduce the need to shift positions. In fact, my instructor often tells me to try playing passages differently so I do use that string when he see's I'm not taking advantage of it.
 
I try to let the music dictate the choice of register. If you play straight rock or alternative, a real gut-shaking sub-low note may not sound right.

But in my commercial cover band, there's plenty of repertoire that can use the B string -- everything from dance-club type 4-on-the-floor stuff, to production ballads and the odd latin/salsa, etc. etc.
 
My B string is in use at least as often as my E and A. It's been that way since I got my first 5-string in 1994. If anything I could lose the G and not miss it too much.

I got my first two 4-string basses in almost 2 decades in September (MIA P and Jazz), and I've already traded the Jazz for a 5-string Jazz. The P will stay since it's tuned DGCF - otherwise I'd trade that too.

And it's not really about laying on the low notes all the time. There are many times in the songs I write and in other bands where a D or C on the A string is more appropriate. But many times the sonic makeup of a song begs for that space to be filled by a lower fundamental note, and I am happy to supply it. :)
 
I wonder? How many people play on the B string past the 12th fret?

I do... on my Sadowskys. :cool:

Yes, thicker strings (B and E) can be tricky to intonate properly. IME, tapered B strings are easier to intonate, and therefore more usable up high. Not that I need to go up there very often, but it's nice to have usable range up there when I do.