As far as I'm concerned, the one with double-sharps in it is always the wrong choice.I know which score I'd rather write out,
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As far as I'm concerned, the one with double-sharps in it is always the wrong choice.I know which score I'd rather write out,
You speak to guitar players?
I wouldn't try any of this crap with my guitar player. He reads well enough to play classical pieces and was a studio player in Nashville many years ago. He still can be a bit of a prima donna.![]()
You a guitarist?
I just keep a handy rack with twelve tambourines, one for every key...This has been a public service announcement from someone who plays guitar, bass, a bit of keyboard, a few chords on the mandolin, blues-harp, and can shake a mean tambourine in any key.![]()
"Yeah man I've got this like Dorian thing going on y'know".... yep, we've all been there many a timeGuitarists seem to pick up an understanding of music theory (and practice) from other guitarists, which exists at anywhere from 60 to 180 degrees from standard music theory.
I think whether you're more likely to see one than than the other really depends on what instrument you play and what style of music.
Don't you mean "what in the E#"? Remember, we don't use flats where a sharp will do.Sharps?
Flats?
What the Gbb… is going on?
I play rounds and trust my ears!
may the bass be with you
Wise(b)ass
Oddly enough, last weekend I played 3 concerts and all 3 had a piece in Db and two of them had a piece in Gb. All choral music and church stuff I admit. Just thought that was a funny connection.Totally agree. I play rock, "americana/amerijuana" and dabble in reggae, blues, and jazz - all from a rock standpoint, what for me is almost all guitar-based writing (other than some jazz standards).
When I write, it's on the treble clef, if any (as opposed to just naming the notes and fret position, or doin' a little tab).
I must say, I have never seen anything in the key of Db (absent a chromatic part), only C#, same with Gb versus F#.
Now, I think today I'm-a write sompin' in Cb.![]()
'To'...maybe, it gets difficult when attempting the 'with'.( Sorry, I had to...)
Oddly enough, last weekend I played 3 concerts and all 3 had a piece in Db and two of them had a piece in GB. All choral music and church stuff I admit. Just thought that was a funny connection.
I was being facetious, and referring to the great majority of people who play guitar and how we learn - and include myself in there despite getting some formal instruction. The young players coming through now who have a deep knowledge of theory blow me away."Yeah man I've got this like Dorian thing going on y'know".... yep, we've all been there many a time![]()
Maybe the third chord is a B, because it’s a new key.Yeah, F# and Gb are the same key, potatoe, potaatoe. What drives me bonkers is when the key signature is a flat key like say Db and the guitar player or worse yet the chart says the second chord is a F#. NO!! That is wrong. That is when it not a F#, it’s an Gb!!! I take the original humorous post in that context.