Thinking on it a bit more, part of my own perspective on this track comes from me being many other things before ever picking up a bass and realizing I loved making sound on it. I'm a synth geek and have produced for singers and rappers and have chopped samples in classic hip-hop fashion and like to record banging on filing cabinets and the like. Also, I'm an enthusiast for the avant-garde in general, and performed John Cage's piece consisting of opening one's mail onstage in my senior composition recital in college. I'm that brand of weirdo, heh.
So, perspectives can vary WILDLY. Speaking of which, I bet a lot of the wide-eyed young electro-pop-raised youth (quite a bit of newer music in that style is well informed by serious theory, I've discovered, so good for 'em) will be all over this as it will be similar to but different from sounds they're familiar with.
Also, times are changin', and IMHO, artists owe it to themselves to remain open to new ideas for the sake of the art. With that said, I'm betting Esperanza's live shows including cuts like this will also have straight-ahead jazz type charts on the upright in them too, giving further education to the audiences who haven't been exposed to as much of that sound.
So, perspectives can vary WILDLY. Speaking of which, I bet a lot of the wide-eyed young electro-pop-raised youth (quite a bit of newer music in that style is well informed by serious theory, I've discovered, so good for 'em) will be all over this as it will be similar to but different from sounds they're familiar with.
Also, times are changin', and IMHO, artists owe it to themselves to remain open to new ideas for the sake of the art. With that said, I'm betting Esperanza's live shows including cuts like this will also have straight-ahead jazz type charts on the upright in them too, giving further education to the audiences who haven't been exposed to as much of that sound.