As others have said I've owned others, Ric, Lakland, ESP, and always end up selling them. I have a Jazz MIM, CIJ PJ, and most recent an American Special P bass which has become my go to. They just seem to sit well in the mix.
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I wasn't specifically talking about you or your post. It was meant as a generic comment after reading much of the thread. But, I am in total agreement with you.Even in person, conversing face to face, personal intent can be hard to convey. On the internet, it's much harder.
Please know that flaming or critiquing your post was in no way my intention. On the contrary, I was responding to an aspect of what I read in your comments. I said what I did in solidarity with you. *big hug*
Also, I meant it about Fender basses: they are not homogeneous, not even within given years of production. You have to find a good one.
OMG! When did this happen??There's more than one flag, and bass brand in the world, believe it or not.![]()
Love me some SB-2. Wish I had mine back again. I actually could survive without a Fender if I had another.I have a P and a Jazz but never play them out anymore. I have 4 USA George Fullerton & Leo Fender basses. My main bass is my SB-2.
Brilliant! This is the thread winner.This needs to be a poem.
Fender is retro
I don't like retro
Retro is retro
When I look at Fender styling
I hear 50's Rock 'n Roll playing
Their traditional colors
Dream me a car from the 50's
Shiny paint and chrome
Candy Apple Red
Surf Green
Paisley? Why? I scream
Where are the promised finishes?
I don't know
Everywhere I go
Everywhere I look
Paint, pickguard and chrome
Even their natural Walnut finished Jazz isn't walnut
And it doesn't play Jazz
It is cruel to my hallucination
Their Fender VI was not a six string contrabass
It had no natural place
BEADGC tuning
The bain of my heartlessness
They can't make what I want
They won't make what I want
It's not in their best interest to make what I want
I want what I want
I need what I need
I want what I need with the greatest of speed
Not without paying up the wazoo for a custom shop job
Playing a kazoo in an unwieldy mob
Other companies DO and HAVE made what I want
And life journeys forward in sadness
As we long for a strange friend
I don't hate them
I'm not drawn to them
They are
They
Are they?
They're so...................common
The instrument of the homeless
And the indigent
And the obscene
Fender
No thanks
This needs to be a poem.
Fender is retro
I don't like retro
Retro is retro
When I look at Fender styling
I hear 50's Rock 'n Roll playing
Their traditional colors
Dream me a car from the 50's
Shiny paint and chrome
Candy Apple Red
Surf Green
Paisley? Why? I scream
Where are the promised finishes?
I don't know
Everywhere I go
Everywhere I look
Paint, pickguard and chrome
Even their natural Walnut finished Jazz isn't walnut
And it doesn't play Jazz
It is cruel to my hallucination
Their Fender VI was not a six string contrabass
It had no natural place
BEADGC tuning
The bain of my heartlessness
They can't make what I want
They won't make what I want
It's not in their best interest to make what I want
I want what I want
I need what I need
I want what I need with the greatest of speed
Not without paying up the wazoo for a custom shop job
Playing a kazoo in an unwieldy mob
Other companies DO and HAVE made what I want
And life journeys forward in sadness
As we long for a strange friend
I don't hate them
I'm not drawn to them
They are
They
Are they?
They're so...................common
The instrument of the homeless
And the indigent
And the obscene
Fender
No thanks
I have disliked T-birds since about 1964. My guitar player at the time bought a Firebird and kept insisting I get one so we could look cool. I tried one. I haven't picked one up sense.I'd have no problem with buying a Fender bass if I'd ever tried one that blew my socks off...problem is, that's never happened. I have played some that were okay, but not so fantastic that I absolutely had to have it, and especially not at the prices they were selling for.
I think it didn't help that as a young guy first getting into music/bass, Fender was, of course, one of *THE* brands that anybody who was serious about playing "had" to have, and when I finally had the opportunity to try one out, it was "Meh...? What's the big deal?" Same thing happened when I tried out a Thunderbird several years ago...it was an Epiphone, but still...one of those iconic models that just did nothing for me, and in fact had the chunkiest, most uncomfortable neck I have ever attempted to play...![]()
I have heard that exact sentiment from MANY great drummers following auditions or sit ins. So many, that I really have to think twice about taking a non-Fender to an audition.As a drummer, I always loved hearing and seeing the guy playing bass next to me using a Fender and still do. You know what you are getting, no surprises.
The OP's IBM analogy hits home with me as I purchased an IBM 5150 computer, their first for home use, for $3000 way back in 1982. IBM was a legacy company just like Fender is now however IBM had a product in its infancy, and they didn't keep up, then they lost their market share to other less conservative computer manufactures. I can't imagine any innovations being done to a P-bass that could make it any better as its minimalism is the P-bass strong suite. The only thing that might remotely scare Fender is someone, either here or offshore, taking the P-bass design and turning out a truly "USA comparable" instrument for 50% less than the current Fender street price. If that occurred Fender would completely move to Mexico and that Corona, California factory would become just another mini-mart gas station . . .
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