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There's now 3 "thumbs down."

Don't worry. The future belongs to the vastly larger numbers of people who are younger and are into more modern music. You know - Psy, One Direction, Nicki Minaj...
I am now and forever so utterly terrified!
And not to beat a dead horse regarding music popularity versus music greatness, here are two interesting facts:
Jimi Hendrix cracked the top 40 exactly once, in 1968 when "All Along The Watchtower" peaked at #20.
The Archies' "Sugar Sugar" was, in fact, the number one selling song of 1969... a year in which the Beatles did not crack the top 20.
I guess what really bugs me about this thread is this notion of musical egalitarianism, that all music is equally good, and that anyone who suggests otherwise is somehow "out of touch" or "a hater."
It's OKAY to be discriminating! It's okay to say that, whatever your age, whatever your musical perspective, whatever your favorite bands, that the band in this video is AWFUL.
That's OKAY!!! Liberate your minds!!!!!!

Which leaves me wondering, what are these guys bringing to the table musically, lyrically, socially? Their fans be damned, how are they evolving the music? And frankly, I'm stumped.
I guess what really bugs me about this thread is this notion of musical egalitarianism, that all music is equally good, and that anyone who suggests otherwise is somehow "out of touch" or "a hater."
Let's travel back to the 1960's, shall we? A lot of people seem to harken to that era as being the greatest in rock and roll history. Now, in the 1960's, we had Jimi Hendrix. And the Beatles. And Petula Clark. And Sonny & Cher. And The Archies.
By the standard that's being proposed broadly in this thread ("just because you don't like it doesn't mean it's not great"), then we must accept that The Archies are as great as Jimi Hendrix. You don't agree?!? What are you, a HATER?!?!?
I had an art history professor who said that "art is whatever the artist says it is." Extrapolating from that, music is whatever the musician says it is. If I record myself farting into a tin can and say it's my "symphony," well, then it is my symphony.
Does that make my musical composition on a par with the work of Philip Glass or John Adams or other contemporaries? Well, from the standpoint of saying that "IT IS MUSIC," yes, it does.
But what we're losing sight of here is that there is GOOD and BAD art, and it's not hateful or nasty or dismissive to be DISCRIMINATING. Because if you are not discriminating, then yes, the Archies are every bit as significant as Jimi Hendrix or the Beatles. To suggest otherwise would make you a hater.
We have to be courageous enough as consumers of art to say, "That sucks." But we also have to have to be INFORMED enough to know why one thing sucks and another doesn't. And we have to be prepared to discuss the value of art in terms other than "I like it." Otherwise, bitching about Justin Beiber is just so much self-absorption. Why is Justin Beiber's music better or worse than anything else that's being produced today? Because you're a Justin hater? Or because the music fails to meet certain criteria for greatness? What are those criteria and why does his music fail compared to, for instance, the music of Wilco?
Why are we so shy or ashamed or timid to say that some things are great and some things suck? Why do we pay money to music critics? Why do some pieces of music withstand the test of time ("Purple Haze") while others are swept into the dustbin of history or regarded as mere novelties ("Sugar Sugar")?
Because there is such a thing as good music and bad music! We need to stop being so AFRAID of that concept! It's not just a matter of taste, people. If that were the case, then the guy who exhibited a suitcase full of rotting bologna in NY would be held in as high regard as DaVinci. He's not! And there's a reason for that! It's OKAY to be discriminating! It's okay to say that, whatever your age, whatever your musical perspective, whatever your favorite bands, that the band in this video is AWFUL.
That's OKAY!!! Liberate your minds!!!!!!
They are playing notes. But precision is key. When I was in super technical bands regardless whether it was metal or not I used to always joke that if I got lost all I'd have to do is make sure I stop on time and no one would notice.
Personally, I can't play this style very well. I don't have the dexterity.
I didn't particulary like that recording but I will defend them just to pi** off the old rocker who seems to only like rock'n'roll that play cover of 60s throught 70s because everything else isn't as good.
here, it is only about rock and cover ... why not a change of pace from time to time.

Well, the reason I keep harping on Hendrix, the Beatles, et al, is that it is true that these performers are dearly beloved on this site. So it's a shared point of reference that I think crosses generations (my 19-year-old son loves Hendrix's music far, far more than I ever did).
Personally, my band only covers one song that's more than 15 years old (Ian & Sylvia's "Someday Soon," and how can you NOT cover that song if you're in an Americana band?). Everything else we cover is more contemporary. We draw from Wilco, Richard Schindell, The Knitters, Dave Alvin, Steve Earle, Lucinda Williams, et al. About half of our set is our own originals. Absolutely none of it sounds like music from the 60's or 70's. And our youngest member is 46... I'm kinda in the middle at 53, and our drummer is 60-something. None of us listen to "classic rock," unless you include in that category folks like Townes Van Zandt or Emmylou Harris. My favorite band of the last couple of years is Y La Bamba.
Oh, okay, we all love Neil Young, but that's different!
I guess my point is that I think there is flat-out brilliant music being made right now, and I think that that can be agreed upon without even bringing up matters of "taste." If you understand what goes into good songwriting and performing, and listen to anything by the Monsters Of Folk/M Ward/Bright Eyes/My Morning Jacket nexus, you're gonna go, "well, yeah, that really very, very good."
I'm leery of this notion that artistic greatness is genre-based. Let's say I invent a genre of painting called meat painting, and the criteria for greatness in this genre is that the canvass be covered in spoiled meat in a haphazard fashion, and that the work smell very badly. So I create a meat painting that absolutely NAIL this genre... it PERFECTS it, with gooey blobs of rancid animal flesh arranged with no discernable design on the canvas that really stink up the joint.
Then you hang my piece next to an equally brilliant masterpiece in the genre of, oh... let's say Rembrandt. He too perfected all of the criteria of his genre, absolutely nailed it.
So are we suggesting that these two works of art, because they come from different genres, can be seen as having achieved equivalent levels of greatness?
Really?![]()
Well, the reason I keep harping on Hendrix, the Beatles, et al, is that it is true that these performers are dearly beloved on this site. So it's a shared point of reference that I think crosses generations (my 19-year-old son loves Hendrix's music far, far more than I ever did).
You sound like you live in your own world with your own rules. Like the old man at one of the local music stores who loudly (so everyone could hear) asked me what a "stomp box" was while sneering at me, thinking he had just exposed me as a fraud or something because I needed a compressor pedal to calm down my Autowah. "Jeez dude. Sorry I'm not here to buy a Martin for my singer-songwriter folk project."...
Also, I don't think anyone here described Punch (the band in the OP) as the next Rembrandt, Hendrix, Beatles, or whatever. They aren't great, but I don't think they should be stopped. There's plenty of room in the world for both them and all the [artists I've not heard of] that you mentioned.