Yes Ampeg, brand new for 2015:
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Wow. That's incredible. I'm getting one without a doubt. Thanks for the info!
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Yes Ampeg, brand new for 2015:
Link Removed
Wow. That's incredible. I'm getting one without a doubt. Thanks for the info!
I want this:I already have two long scale P/J basses (Ibanez GSR200 and a Yamaha BB1000MA). I want something small and light with a different tonal range then my current basses. I'm also pretty cheap so I don't want to spend a whole lot and these are the three that I keep looking at: Allen Woody Signature, Mikey Way Signature and the Squier Vintage Modified Bass VI. I know they are all different, but they are the ones that I've taking liking to. I also kinda like the Dean Evo XM and the Gretsch 2220, but they don't have as much draw as the others.
I'm looking for others experiences with these particular basses, pros and cons and modification potentials (particularly pickups/electronics).
Thanks,
Don
I do have a Gretsch Broadkaster and a Gretsch Thunderjet, both of which are short scale and pretty high end, but made in Japan. Those (and the similar Gretsch Electrotone) are the only major manufacturer high end short scales that are current models that I can think of.Yes, looks like a pretty incredible instrument - as far as I know, it's the first short scale truly HIGH END bass ever produced by a US major manufacturer.
I do have a Gretsch Broadkaster and a Gretsch Thunderjet, both of which are short scale and pretty high end, but made in Japan. Those (and the similar Gretsch Electrotone) are the only major manufacturer high end short scales that are current models that I can think of.
I used to own an Allen Woody and loved it. I still see it hanging on the wall in the store where I sold it and am tempted to buy it again as I miss it. It had very low action (one of the lowest of all of my short scales)and a slim neck, and the whole ergonomics of it just fit very nicely while playing it, which is why I prefer short scales. I've never really liked the Gibson 3 point bridge as I've seen a lot of SG basses where the action was just too high and couldn't get any lower with that bridge design, but it wasn't a problem on the Allen Woody at all. Not a whole lot of variation in the sound with the two pickups being relatively close to each other, but still more variation than what you would get out of a single pickup bass. I don't know the other two basses, but since I play bass mostly with a pick I've always liked my Fender VI reissue 6 string bass with the close string spacing -- you can get some very quick runs on those 6 strings with a pick.the three that I keep looking at: Allen Woody Signature, Mikey Way Signature and the Squier Vintage Modified Bass VI