I started playing with Ibanez. I was impressed by the reputation of the brand as well as variety. I moved from the SR versions to the SRA (not sure why they discontinued them at all) and had an SRA 505 and an SRA 555 (newer and final version). While I ended up trading them for some Fenders there was nothing wrong with either bass. Some features I liked better than others. Right now I'm GASing for a couple of Ibanez instruments--I want a Talman bass and the Talman acoustic / electric guitar sure looks pretty (but I don't play guitar). Ibanez is a great vehicle.
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Ibanez Love?
- Thread starter mkfanforever58
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that sr4000/5 is gorgeous. ive owned standard, premium, and prestige. all nice but a huge jump with each stage up.
Ibanez are HELLA sweet basses. If I had to pick a bass to go direct into a head and cab with no effects or anything else, I'm grabbing one of my Ibanez basses. I can send my CTB-5 with EMG JX's, SRX3EX, or SR500 straight into my GK MB200 and I know it will freakin rock the house. Also, I paid $300 or under for each of those basses (I bought used). Aside from cleaning and some mild setup, they play fantastically when you get them.
ive never played the 650 personally but i do have a couple ibbys.. my very first one was a gsr 200.. and last year i got my hands on a rare edb700 bass.. i love it. i am actually on the hunt for another.. my only gripe with ibanez is the company doesnt really care to help those that play the instruments they make..
I love my spalted poplar SR500. Plus the GF bought it for me.
I guess what I'm asking is if I should get this SR-650 now or save up for a Premium (or other Ibanez bass).
Wow that's a tough call - if you have SOMETHING to play maybe save up? Depends how bad you need a bass now and how much more you like whichever premium... When I almost bought one around x-mas time I thought about the 500 or 600 series because I didn't see the premium ones as so much better that the price difference was worth it to me - but they might be to you. If you'd ever regret not going premium, just save up now rather than get one later having "wasted" cash on a 650 now. If you GAS for a 650 and wonder if you should get a premium just because they're called "premium", save the cash and be happy with a 650!
- Jun 6, 2012
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ThanksI don't mean to be a buzzkill, but I don't think you are allowed to advertise items within this forum without a supporting membership :/ I'm not trying to be a dingus, but I don't want to see someone banned for something little like this - the mods can be pretty aggressive around here I've found when it comes to this stuff
I have a Talman that I bought because it looked cool. Turns out, it plays and sounds pretty sweet as well. The ONLY thing I dislike about it is the weight. While it isn't terrible, I cannot use it for more than a set. Plus, I'm a Fender dude, so... *whistles and walks away*
I'm a big fan of Ibanez. I've always been impressed by the quality you get for the price. I've owned several different Ibbys from different lines and they have all been really comfortable and playable. Having said all that, I think the reason Ibanez isn't talked about more on talkbass is because talkbass is for talking about Fenders.
My Ibanez Grooveline is one of the most comfortable basses ever, and probably the best active jazz sound I've played to date.
You're going to make me cry - how can one man own so many super nice Ibby SR's, and still want more!
Well, that's two instruments we share in common - I have a '91 SR800 unlined fretless in Purple Pearl that I bought new, and it's been a wonderful player. It weighs practically nothing - I haven't put it on the scale, but I'd be willing to bet it's under 8 pounds. Between that and my '87 RB800 (8.5 pounds), I've been quite happy with Ibanez's products, although I haven't played any of their newer instruments.
why would anyone care if you're using a cheap bass, much less have the incredibly poor manners to say something? these days cheap basses sound good - pretty much all of them - including the $129 SX. my $179 squier jag short scale sounds good, and good enough to gig with. and i used to drag a $179 yamaha with me to rehearsal and it sounded good and weighed a lot less than my main bass. and bands really wanted me to play with them - no one ever said "hey, you're playing a cheap bass, so we don't want to play with you!" chances are no one in the audience and few in bands will even know it's a cheap bass.
it really helps to learn to get the tone you want out of any bass you have. your amp, effects if any, string choices and learning to tweak the tone on your bass will all contribute to this.
it would be good if you will need to learn how to get the tone you want, and to some degree this will be more about your amp than your bass. i don't think the premiums are worth the extra until you've been playing long enough to have developed a good idea of what your preferences are - neck profile, nut width, string spacing, shape, etc. before you have the experience, you're as likely to get a bass that doesn't suit you so you can feel good about owning a "better" bass, but it's only better if it suits your needs, and you gotta know what those needs are or you could be wasting your money. there are some VERY nice basses out there that just don't do it for me.
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I had a CT serie, midnight blue. I upgraded to emg active p/j. I loved that bass
Lost it to a pawn shop for 75$ 15 years ago when I was idiot. Always tried to get it back, easy to recognize she's left handed, stickered and in Montreal. ..if anyobe
Lost it to a pawn shop for 75$ 15 years ago when I was idiot. Always tried to get it back, easy to recognize she's left handed, stickered and in Montreal. ..if anyobe
Beautiful bass. drool
Question for you or anyone here. I'm looking at the highest end lefty Ibanez bass, which isn't that much, I believe $1,099. It's like this SR5000 in that it has individual saddles. If you look at the saddles, do you think there's enough length in the saddles to restring the lefty to a right handed string set and have proper intonation? I can't tell how much length and shortness there is in the bridge, it's kind of concealed.
Thanks! Enjoy that gorgeous bass!
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An SR400 was my second bass. No complaints. It fit the bill and held it down through the better part of 4 years. I actually still have it today - sounds great, plays great, but the body is beat to hell from touring and basement shows.
An SR505 is currently one of my two go-to basses. It has the stock Bartolini MK1 pickups and the guy I bought it from installed an Aguilar OBP3 preamp. I think this thing sounds and plays great, but the tone can be quite dark. I use it mostly in my reggae band.
Haven't had a chance to really check out the new new stuff Ibanez has been putting out lately, but it definitely looks appealing. Time to go try out some new basses!
An SR505 is currently one of my two go-to basses. It has the stock Bartolini MK1 pickups and the guy I bought it from installed an Aguilar OBP3 preamp. I think this thing sounds and plays great, but the tone can be quite dark. I use it mostly in my reggae band.
Haven't had a chance to really check out the new new stuff Ibanez has been putting out lately, but it definitely looks appealing. Time to go try out some new basses!
That reminds me - I wish Gotoh still made the 206 bridge (Ibanez called it the "Omni-Adjust"). My RB has one, and while it's held up well over the years, I'd love to be able to get another just in case.
Oh yeah - the only thing I didn't like about either bass was that, on the old SR400 (2000 maybe?), there was no active/passive switch. So when your 9v battery ran out in the middle of a gig, you were screwed.
Your SR650 includes an active/passive switch and even turns the treble knob into a passive tone control (awesome!!)
Your SR650 includes an active/passive switch and even turns the treble knob into a passive tone control (awesome!!)
