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If you could only keep one forever

My 60's mystery Jazz would be my choice in my current group of instruments. This bass is called Rolf.
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This is a tough call for me. My normal answer would be my 1981 Hondo II, for the reason it was my first bass. My first notes, gigs, and learning experiences were made with this bass. While full of memories, and does sound great with DiAddario Model P pickups, she just doesn’t quite have the feel I like in the neck shape. It’s more of an older P Style “V” version, which brings me to my next bass.....
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This is my baby. A 1996 MIM “Squier Series” P bass. They are commonly called Black Label basses, due to the all black logo on the headstock. It’s heavily modified, with Hipshot tuners, a D Tuner, Badass II bridge, and EMG Geezer pickups.

The neck is amazing feeling, sort of a cross between a jazz and P bass neck, and the bass has that certain mojo that one seeks for their entire lives. I have recorded with this bass, and have had some pretty serious Nashville cats stop dead in their tracks and ask what I was using. Yes it sounds that good. Unfortunately, it needs a complete refret job, as I’ve worn the thing out playing.

This of course brings me to my next bass, a sleeper in its own right, which I’ve grown fond of playing until I can get my #1 into my luthier.

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This white beauty is an early millennial PB-70 US, which is Crafted in Japan. It was purchased used from a Japanese broker, with a long story attached. It was bought as a backup for my number 1, and due to the Tribute band I’m playing in, this was the bass I was looking for.

As a present surprise, the bass sounded good, with the only mods being a Schaller D tuner I bought in the late 80’s, and the EMG Geezers, to keep the sound as close to my other one.

Strung with EB Cobalt flats, it really has a wonderful sound, a little bulkier feeling than my #1, in the 70’s traditional feel. It’s a solid bass, as would be a favorite if not for my beloved #1. I call it my % 1 1/2...

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This is a tough call for me. My normal answer would be my 1981 Hondo II, for the reason it was my first bass. My first notes, gigs, and learning experiences were made with this bass. While full of memories, and does sound great with DiAddario Model P pickups, she just doesn’t quite have the feel I like in the neck shape. It’s more of an older P Style “V” version, which brings me to my next bass.....
View attachment 3843962

This is my baby. A 1996 MIM “Squier Series” P bass. They are commonly called Black Label basses, due to the all black logo on the headstock. It’s heavily modified, with Hipshot tuners, a D Tuner, Badass II bridge, and EMG Geezer pickups.

The neck is amazing feeling, sort of a cross between a jazz and P bass neck, and the bass has that certain mojo that one seeks for their entire lives. I have recorded with this bass, and have had some pretty serious Nashville cats stop dead in their tracks and ask what I was using. Yes it sounds that good. Unfortunately, it needs a complete refret job, as I’ve worn the thing out playing.

This of course brings me to my next bass, a sleeper in its own right, which I’ve grown fond of playing until I can get my #1 into my luthier.

View attachment 3843964


This white beauty is an early millennial PB-70 US, which is Crafted in Japan. It was purchased used from a Japanese broker, with a long story attached. It was bought as a backup for my number 1, and due to the Tribute band I’m playing in, this was the bass I was looking for.

As a present surprise, the bass sounded good, with the only mods being a Schaller D tuner I bought in the late 80’s, and the EMG Geezers, to keep the sound as close to my other one.

Strung with EB Cobalt flats, it really has a wonderful sound, a little bulkier feeling than my #1, in the 70’s traditional feel. It’s a solid bass, as would be a favorite if not for my beloved #1. I call it my % 1 1/2...

View attachment 3843961
 
i don't like the looks of this one (looks are for kids!) but it plays like it's loving me back, so:
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TBH: i have four axes that are currently assembled and 'in rotation' = any one of them is capable of helping me play my last, forever tune. they're all unencumbered by the metal fences so what's not to like? :D