One other note about these pencil sharpeners, which relates to our business of designing basses: Look at the difference in the styling (aka Industrial Design) between the Dexter and the Berol machines. Both are nicely designed products, but they come from different eras, and represent different design philosophies.
Some people would call the Dexter "Steampunk", but most machines in the first half of the 20th century were designed like that. It's a style that proudly shows off what it does. You can see inside and watch all the spinning parts and flying chips. The style promotes how it works, and how many parts it's made of, and how well all the parts fit together and work together. It's proud to be a well-made machine! That's what I love about machines from that era. The manufacturers were showing off the technology.
Now look at the Berol from the 1950's. Everything's all covered up, like it's trying not to look like a pencil sharpener. You know, one of those icky, messy machine things. It looks like there are hardly any parts to it. It's a smooth pod with nice lines. You put a pencil in the end, and it comes out with a point! It's magic! You aren't supposed to know or care how it works. It's just a beautiful object that also happens to perform a function. A whole different styling approach.
Think about how we see these two approaches when applied to the design of basses.
Some people would call the Dexter "Steampunk", but most machines in the first half of the 20th century were designed like that. It's a style that proudly shows off what it does. You can see inside and watch all the spinning parts and flying chips. The style promotes how it works, and how many parts it's made of, and how well all the parts fit together and work together. It's proud to be a well-made machine! That's what I love about machines from that era. The manufacturers were showing off the technology.
Now look at the Berol from the 1950's. Everything's all covered up, like it's trying not to look like a pencil sharpener. You know, one of those icky, messy machine things. It looks like there are hardly any parts to it. It's a smooth pod with nice lines. You put a pencil in the end, and it comes out with a point! It's magic! You aren't supposed to know or care how it works. It's just a beautiful object that also happens to perform a function. A whole different styling approach.
Think about how we see these two approaches when applied to the design of basses.