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Just started "Jazz Vocabulary for Electric Bass". So accessible and you feel you're getting somewhere really quickly. Got a million great books (and a couple I really regret buying) but from the first page I've been sitting thinking why didn't I get this years ago?
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Any other fans?
That's exactly what it is... I'd be ashamed to show a picture of it....Pile Of Shame.
That's exactly what it is... I'd be ashamed to show a picture of it.
Just a follow up on the Janek instructional books, I just got "The Bass Players guide to Pentatonics". Like his other books it's super accessible with a galactic shipload of backing tracks and a few videos that you can download and put on your device if your want. I had some decent facility with pentatonics before, but I was used to playing them in like one position and sort of moving them around. This book gets you moving them all over the fretboard right from the jump. I'm just getting into it, but I can tell it's going to be a huge boost to my knowledge level and playing. It's a little pricey, but it's worth every nickle, IMO. Pentatonics are too important to ignore.Just started "Jazz Vocabulary for Electric Bass". So accessible and you feel you're getting somewhere really quickly. Got a million great books (and a couple I really regret buying) but from the first page I've been sitting thinking why didn't I get this years ago?
View attachment 3754297
Any other fans?
Just a follow up on the Janek instructional books, I just got "The Bass Players guide to Pentatonics". Like his other books it's super accessible with a galactic shipload of backing tracks and a few videos that you can download and put on your device if your want. I had some decent facility with pentatonics before, but I was used to playing them in like one position and sort of moving them around. This book gets you moving them all over the fretboard right from the jump. I'm just getting into it, but I can tell it's going to be a huge boost to my knowledge level and playing. It's a little pricey, but it's worth every nickle, IMO. Pentatonics are too important to ignore.
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I wasn't aware of this book, and apparently he has a whole series of books. Thanks for the tip!
I've transcribed a lot of Jimmy's solos. He's really plays diatonic to the key and only rarely uses outside notes. But it sounds awesome and lyrical at the same time. I'm not really into those guys who play a lot of notes without any real sentiment behind it.I remember an interview with Jimmy Haslip - former bassplayer for the Yellowjackets - where he talked about his soloing.
That'll be next on my list then. Very many thanks. I'm sat here with the II-V-I book as I read this. Probably trying to rush everything into my head too quickly but it great fun and cleverly organised.Just a follow up on the Janek instructional books, I just got "The Bass Players guide to Pentatonics". Like his other books it's super accessible with a galactic shipload of backing tracks and a few videos that you can download and put on your device if your want. I had some decent facility with pentatonics before, but I was used to playing them in like one position and sort of moving them around. This book gets you moving them all over the fretboard right from the jump. I'm just getting into it, but I can tell it's going to be a huge boost to my knowledge level and playing. It's a little pricey, but it's worth every nickle, IMO. Pentatonics are too important to ignore.
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Cool. The way I approach books lately is to sort of get the material down, and then move on. I don't try to perfect every page. I get through it once, then do it all again from the beginning, which typically goes much faster.That'll be next on my list then. Very many thanks. I'm sat here with the II-V-I book as I read this. Probably trying to rush everything into my head too quickly but it great fun and cleverly organised.
I remember an interview with Jimmy Haslip - former bassplayer for the Yellowjackets - where he talked about his soloing.
He gave an example and said that when he solos, it's pretty much all pentatonic scale patterns. When people think of pentatonics it's usually blues or rock playing, but seeing them used creatively in a jazz context gave me a new appreciation for them.
Just started "Jazz Vocabulary for Electric Bass". So accessible and you feel you're getting somewhere really quickly.
I have a mountain of books on exercises, patterns, licks and theory that really haven't helped me. Perhaps it's "horses for courses" but I think the better books inspire me to put licks /exercises into my playing quicker. Maybe just the way something is explain helps me understand better than others. I'm only a dozen or so exercises in the book but he's got me thinking it through for myself based on the way he presents the exercises. But they're simple enough to become your way of dawdling when you're nowhere near the book... not a bad habit.If I may ask, how does it differ from any other licks/phrases/lines books out there?
Just started "Jazz Vocabulary for Electric Bass". So accessible and you feel you're getting somewhere really quickly. Got a million great books (and a couple I really regret buying) but from the first page I've been sitting thinking why didn't I get this years ago?
View attachment 3754297
Any other fans?
Just a follow up on the Janek instructional books, I just got "The Bass Players guide to Pentatonics". Like his other books it's super accessible with a galactic shipload of backing tracks and a few videos that you can download and put on your device if your want. I had some decent facility with pentatonics before, but I was used to playing them in like one position and sort of moving them around. This book gets you moving them all over the fretboard right from the jump. I'm just getting into it, but I can tell it's going to be a huge boost to my knowledge level and playing. It's a little pricey, but it's worth every nickle, IMO. Pentatonics are too important to ignore.
View attachment 3860489