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Is bassist-life possible without a Precision?

The question should be "Is the bassist life possible without a Fender?" I believe every bassist should at least own one or the other, as to both basses can pretty much cover any genre
of music. Some like a P, some a J.

Wrongo. People should own whatever feels and sounds good to them and Fenders are not the only basses that are versatile.

When they start making their living playing music or are studio musicians then they might need a Fender in their arsenal.
 
28 years and still no P-bass in my stable...though I must admit that I'm seriously tempted by the new Squier VM white P with the black pickguard. I like what I've seen online but I've yet to see one in person.
 
I totally agree, but sometimes it's hard when everyone is saying you're not a real bass player without a P or J in your stable. My Yamaha seems to get me through all my gigs, but I sometimes wonder if it would sound better with a P.

It's usually those who like Fenders that are saying that. I may love my Sadowsky or Ken Smith but I don't go around saying everyone should own one, because I know better. Not everyone likes the same things and there are plenty of alternatives out there.

By the way, Lee Sklar used a Yamaha on many recording sessions. If I remember correctly, it was his bass of choice at one point although I think he plays Dingwalls now.
 
It's only possible to live without a P Bass if you're Victor Wooten, Michael Manring, Jaco Pastorius, Todd Johnson, Matt Garrison, Stanley Clarke, Brian Bromberg, Steve Bailey, Hadrien Feraud, Jim Stinnett, Dave Buda, Marcus Miller, John Patitucci, Stu Hamm, Geddy Lee, Roscoe Beck. Of course those guys don't get any gigs.

But if you want it- go for it!

Dirty little secret some of those guys have P's or have had P's.

P-Liscious :bassist:
 
Funny, I was thinking about this today.

I try as hard as I can to resolve clear value judgments about stuff so as to simplify my path, y'know?

As far as bass playing is concerned, I have no (0) interest in pop music in which a Precision and an SVT would not be considered a proper gigging pro rig.

That doesn't mean that a P and an SVT would necessarily be required or "best," but they do define a broad style and philosophy of bass (as opposed to "post-Jaco horizon-expanding bass guitar").

If you can't play it fine on a Precision, I don't want to listen to it.

If I see a band in which the bass player has a six-string, through-neck with twelve knobs and a spalted Gambian skunkwood top running to an expanded rack-unit head with fifty lights, I can safely say that with about a 99% certainty I never want to hear that group's music. Run!