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Is bassist-life possible without a Precision?

It's not possible for me, I'm sure of that.:) But in general, it seems to be quite possible.

I'd focus less on the fact that it's a P and more on the fact that you found a bass that spoke to you. Get it!
 
I used to tell myself I didn't like fenders. They felt huge, cumbersome, looked ugly and the sound just wasn't me.

I was a warwick fanboy for years (Thumb and Corvette), but found they weren't doing it anymore for me. I was turned on to Yamaha (the RBX4-A2) as I wanted something lighweight and different. This gets the Jazz kind of tones quite well which I found was fitting our band set quite well, but without the Jazz looks.

My latest bass is another Yamaha, the Attitude II, which is... yes, a souped up P. People say this bass is a one trick pony, but it seems to fit every style I need to play on it, rock, metal, disco, pop, soul. It just fits.

So I'm a semi convert. I can see the P bass sound does fit more as a jack of all trades sound more than the more exoctic basses sometimes can (IMO). But I'm still not a lover of actual fender designs, they're just not me. I'll stick with my Yamaha's for the time being.
 
The question should be "Is the bassist life possible without a Fender?" I believe every bassist should at least own one or the other, as to both basses can pretty much cover any genre
of music. Some like a P, some a J. Me personally I like the Precision more, but I would'nt turn down a good Jazz if I liked
one. It's more of a nostalgic thing because the Precision is the bass that started it all. :bassist:
 
It seems that most people want to continue the never-ending debate of "P or not to P" rather than pay attention to the most important factor...

pmaraziti said:
...the other day I found an P Am. Vintage '62 that spoke to me...

Years later, I continue to regret the time I walked away from a G&L L2000 that curled up in my lap and sweetly whispered my name. Don't let this happen to you. I don't care if it's a P, a J, or a tree branch with a rubber band, if it "spoke to you", you have to act on it.
 
It seems that most people want to continue the never-ending debate of "P or not to P" rather than pay attention to the most important factor...

I continue to regret the time I walked away from a G&L L2000 that curled up in my lap and sweetly whispered my name. Don't let this happen to you. I don't care if it's a P, a J, or a tree branch with a rubber band, if it "spoke to you", you have to act on it.

I totally agree, but sometimes it's hard when everyone is saying you're not a real bass player without a P or J in your stable. My Yamaha seems to get me through all my gigs, but I sometimes wonder if it would sound better with a P. I do have a fretless jazz, mostly because my other option (real or EUB) for jazz is out of my budget at this time.
 
Does everyone need a fretless? Does everyone need a 5 string? I could go on, but no real point in that.

There are many bassists with many bassists. There is a big list of P-bass users and a big list of dudes who aren't using them. The P-bass tone isn't this magical and closely guarded secret AND it's quite possible to nail the tone or get a cool vibe from many other basses.
 
I used to have an old 1976 P-Bass I bought from a friend. I didn't have it long though. I sold it, and to be honest, I don't miss it at all. I bought it mainly because the band leader in the group I was joining, liked it. It turned out that he had a real tin ear, so I had to make it sound like a baritone guitar to keep the jerk happy. Needless to say I didn't hang around that bunch very long. That was one of the two most miserable experiences I've had as a musician. I haven't owned one since.
 

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