I play the upright (in a community orchestra, and with my usual gig) and electric fretted (a 90s Jazz). I used to have a fretless P -- with roundwounds -- and eventually got rid of it.
It seems to me that if you're going the fretless route, you might as well go all the way, and use an upright. The additional string length (of the upright), together with the lack of frets, is what really "makes" the fretless "sound."
It seems to me that if you're going the fretless route, you might as well go all the way, and use an upright. The additional string length (of the upright), together with the lack of frets, is what really "makes" the fretless "sound."
