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Jack Casady Playing Custom Starfire?

I got to see Hot Tuna play Tacoma WA last week, and sure did enjoy seeing those two guys going at it.

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Jack was playing an interesting bass that looked every bit like a Starfire in body shape and pickup configuration. But this didn't appear to be an ordinary Guild with different top wood, knob layout, and that cool headstock inlay.

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Does anyone have an idea what we're looking at here? And what do all those knobs do; he never touched them during the show. Thanks!
 
I got to see Hot Tuna play Tacoma WA last week, and sure did enjoy seeing those two guys going at it.

View attachment 7037339

Jack was playing an interesting bass that looked every bit like a Starfire in body shape and pickup configuration. But this didn't appear to be an ordinary Guild with different top wood, knob layout, and that cool headstock inlay.

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Does anyone have an idea what we're looking at here? And what do all those knobs do; he never touched them during the show. Thanks!
 
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Saw the show in Mt. Vernon. What a great night. Fun to watch them smiling and interact - serious chemistry from playing together for so long. And that Casady tone!
 
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It's Jack's first 1967 Guild Starfire II that was modded by Ron Wickersham of Alembic and the inlay was designed by Owlsley 'Bear' Stanley. He played it until shortly after Woodstock, when it was stolen after a gig in Seattle.
Long story short: it was recovered in 2015, although it had been sanded down to natural and refinished at some point. After a go-over by Rik Turner (rip), it was back in Jack's possession, and, to my knowledge, this is the first time he's played it in public since 1969. Consider yourself lucky to witness Jack play an amazing piece of history, and probably the first instrument with active electronics.

Jack Guild.jpg
 
It's Jack's first 1967 Guild Starfire II that was modded by Ron Wickersham of Alembic and the inlay was designed by Owlsley 'Bear' Stanley. He played it until shortly after Woodstock, when it was stolen after a gig in Seattle.
Long story short: it was recovered in 2015, although it had been sanded down to natural and refinished at some point. After a go-over by Rik Turner (rip), it was back in Jack's possession, and, to my knowledge, this is the first time he's played it in public since 1969. Consider yourself lucky to witness Jack play an amazing piece of history, and probably the first instrument with active electronics.

View attachment 7037547
mmmmmmm, thanks for the history lesson, great way to start the day:D

Makes me think, what are some other famous stories about stolen basses? I know Mccartney must be the biggest one, and that was also returned recently.
Are tehre any other examples of famous missing ones?
 
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It's Jack's first 1967 Guild Starfire II that was modded by Ron Wickersham of Alembic and the inlay was designed by Owlsley 'Bear' Stanley. He played it until shortly after Woodstock, when it was stolen after a gig in Seattle.
Long story short: it was recovered in 2015, although it had been sanded down to natural and refinished at some point. After a go-over by Rik Turner (rip), it was back in Jack's possession, and, to my knowledge, this is the first time he's played it in public since 1969. Consider yourself lucky to witness Jack play an amazing piece of history, and probably the first instrument with active electronics.

View attachment 7037547

This is so cool!!! omg still cant get over this. Hope he brings it to the Wellmont in Dec. probably a long shot. ...you never know..
 
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Oh man, yes that's the original modified Casady Starfire! I saw the teaser posts that he'd be bringing it on tour again, but unfortunately here in Florida I'll have to wait. Seriously hoping he brings it down this way sometime because since I was in high school I dreamed about hearing that bass in person someday (even though at the time, I knew it was still stolen)! I used to always joke that someday I'd find it somewhere hanging in a pawn shop, but it made me so happy to hear that Jack got it back when he did! Eagerly awaiting new performance videos to surface with good audio.

On a sidenote, this bass was all-passive! I was lucky enough to get a peek inside at the guts, though limited visibility and no diagram. Wish I could tell you exactly what those passive controls are, but I don't think that's been publicly disclosed yet. Most likely implements various capacitors, resistors, and chokes like a varitone circuit does. Lots of subtleties can be unlocked that way, especially for getting unique blended tones between pickups!

Jack's sunburst Starfire with the metal channel strips mounted in it (that he had the soon-to-be-Alembic team assemble in a hurry after this one was stolen) was the first one of his to get active electronics.

Here is a cool video of that original modified Starfire being played in the Tuna context before it was stolen. This one was also the bass on their New Orleans House live album.

 
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mmmmmmm, thanks for the history lesson, great way to start the day:D

Makes me think, what are some other famous stories about stolen basses? I know Mccartney must be the biggest one, and that was also returned recently.
Are tehre any other examples of famous missing ones?
Jim Lea's Gibson EB3 (of Slade) stolen from John Birch's shop in 1974, never to be seen again.
 

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probably the first instrument with active electronics
That distinction belongs to the 1963 Burns of London TR-2 guitar and bass models:

https://reverb.com/item/1659958-burns-tr2-bass-1963-4-sunburst
 
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My wife is a big Hot Tuna fan, and we’ve gone a few times to see them over the years, including last night on Long Island. As soon as they came out, I was wondering what kind of bass it was that Jack was playing. I knew he was associated with Guild and Epiphone, but this had quite a fancy headstock. ‘Glad I found this thread. Wow, I’m surprised he still tours with such an historic instrument! But it did look and sound great, coming out of his Aguilar rig…. Oh, by the way, to add to the conversation about stolen basses… Not actually stolen, but of course there’s Jaco’s Bass of Doom, which I think he left on a park bench and it disappeared for decades, only to turn up and be resurrected in recent years. I believe Robert Trujillo is the current owner…
 
JM: On that album your bass is credited as “Yggdrasil bass”. What does that mean?
JC: [laughs] I haven’t the slightest idea of what it means. We had a lot of friends at the time who were clever with words, and so I had a friend, Owsley Stanley, who would join the sessions from time to time, and I think he came up with that phrase as some sort of a description of the growling nature of what I was doing. So that sort of stuck.
A lot of things back in those days didn’t necessarily make sense. They were often done to not make sense.