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Jazz bass pickups, bright and tight low end

Hi bassmen!

After a weekend living on the interwebs searching for reviews and soundsamples I am here now to ask for opinions, experiences and advice.

I am looking to replace my dual coil pickups in a Peterbuilt (70s style) jazz bass. They have too much low end for me so I am looking for replacement pickups:
- tight low end
- not boomy with too fat lows
- clarity and some brightness
- single coilish

On my list so far
- Fender pure vintage 74
- Dimarzio Area J
- Aguilar AG 4J 60
- Bartolini 9cbjs

Any advice
 
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I love my Delano Pickups. I use the humbucking JSBC 4 HE/M2. I know it is a long name, but the pickups sound great, even and tight. And the bonus of no grounding finger noise with no exposed poles. And no 60c hum.
I bet their single coils are great too

 
I have these custom shop ‘60’s pickups that came standard on my 2013 American Standand Jazz Bass. I think they give the Jazz Bass sound that everyone recognizes.

 

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Hi bassmen!

After a weekend living on the interwebs searching for reviews and soundsamples I am here now to ask for opinions, experiences and advice.

I am looking to replace my dual coil pickups in a Peterbuilt (70s style) jazz bass. They have too much low end for me so I am looking for replacement pickups:
- tight low end
- not boomy with too fat lows
- clarity and some brightness
- single coilish

On my list so far
- Fender pure vintage 74
- Dimarzio Area J
- Aguilar AG 4J 60
- Bartolini 9cbjs

Any advice
For single coil the Fender Pure Vintage '74 kick arse!!! Punchy, responsive, great mids, very "tight", clear but with attitude. I have a 70's Jazz reissue that has had those in it and now has Area J's. The Areas are much more polite and clean, but....are hum-cancelling of course. I like them a lot, they sound to me the most like single coils of any noiseless J pu's I've tried (and I've had Areas, Models, and Ultras). But that said, they lose that "spank" and responsiveness you get from single coils (pretty much always the case w hum-cancelling J's IME). IMO the first order of business would be deciding if you want hum-cancelling or single coil.
 
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I took the preamp out of a Spector NS-2J and wired it 2 Vol 2 Tone passive and it's a very usable sound.

However, the EMG pickups are active and do require a battery.

They have a slightly compressed sound with controlled low end and as much high end as you want to dial in.

EMG's are not everyone's cup of tea, but they fit what you described in the thread title.

I run the bass through a Darkglass Harmonic Booster for further EQ and "personality" as needed.
 
I am looking to replace my dual coil pickups in a Peterbuilt (70s style) jazz bass. They have too much low end for me

Any advice
Just so you know, most pickups do not have more or less low end - all standard magnetic pickups are flat in the bass and low mids. The only exception I know if is Lace Alumitones - they have a small transformer in their design which causes some low frequency rolloff. Any other pickups are going to be flat down there.
 
Just so you know, most pickups do not have more or less low end - all standard magnetic pickups are flat in the bass and low mids. The only exception I know if is Lace Alumitones - they have a small transformer in their design which causes some low frequency rolloff. Any other pickups are going to be flat down there.
I am sure you know what I mean!
 
Generalized..........for bright, clear, clean sound with tight sounding low end....................any AlNiCo 5 magnet J pickups in the 6.5 K to 7 K ohm range. Hotter pickups = bigger sound but less defined sound.

These are nice.

https://www.sweetwater.com/store/de...MIxYvan-ykkwMViXF_AB2YCAAbEAQYAiABEgLB3fD_BwE

(about 7 K neck and 7.3 K bridge)


(both around 7 K ohm)

(OUCH! Pickups are expensive these days!)
 
To your list, I would add the Dimarzio Ultra J.

It’s a different animal though and doesn’t sound like a standard/vintage set of jazz pickups but it’s very lively and fits your taste although very modern sounding.

Another one that is very articulate, punchy and dynamic is the Seymour Duncan quarter pounder but to me, it’s more about turning your jazz bass into a rock and heavy blues machine.