Wow!! - I find myself responding here in the future!! - well, compared to where we were, at least...
To poster toowrongfoo just above, and all of you here, I must address something about this: the bass on which I recorded the entire 'Cruise Missile' track is long gone - it mysteriously 'disappeared' on an Eastern Airlines flight from ATL to Los Angeles, where I was traveling to do my first stint as an endorsing artist at the 1984 winter NAMM show. The Guild Pilot bass that showed up in the Cruise Missile video did not even exist at this point, as far as I know. It certainly did not exist with a 20-fret neck, because I had not yet requested that. The actual bass I had was a G&L knock-off of a P-Bass, if that is even a meaningful description.
I recorded most of the "Introduction" parts in a Tampa, Florida studio whose name escapes me. The band already had done some rehearsing and tracking at the ATL-area studio of the legendary Eddie Offord ["Close to the Edge" by Yes]. During those sessions, Steve had asked me to "make up one of those parts", meaning the thumb-style stuff. I did what I could, and the results are on "The Introduction".
I write this because I sense that people visiting this forum might think I had all this bass sound stuff figured out at the time. I did not!! I was just muddling through, but with the help of Steve M himself, especially on the solo.
So far, I still like it. Thanks for your interest and support.
Best regards,
Jerry Peek
To poster toowrongfoo just above, and all of you here, I must address something about this: the bass on which I recorded the entire 'Cruise Missile' track is long gone - it mysteriously 'disappeared' on an Eastern Airlines flight from ATL to Los Angeles, where I was traveling to do my first stint as an endorsing artist at the 1984 winter NAMM show. The Guild Pilot bass that showed up in the Cruise Missile video did not even exist at this point, as far as I know. It certainly did not exist with a 20-fret neck, because I had not yet requested that. The actual bass I had was a G&L knock-off of a P-Bass, if that is even a meaningful description.
I recorded most of the "Introduction" parts in a Tampa, Florida studio whose name escapes me. The band already had done some rehearsing and tracking at the ATL-area studio of the legendary Eddie Offord ["Close to the Edge" by Yes]. During those sessions, Steve had asked me to "make up one of those parts", meaning the thumb-style stuff. I did what I could, and the results are on "The Introduction".
I write this because I sense that people visiting this forum might think I had all this bass sound stuff figured out at the time. I did not!! I was just muddling through, but with the help of Steve M himself, especially on the solo.
So far, I still like it. Thanks for your interest and support.
Best regards,
Jerry Peek
