• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

John Paul Jones + Jimmy Page

Feb 19, 2003
2,223
3,273
53
Montreal, Qc
I have an ongoing feud with a guitarist whom I used to play with.
In a word: He hates Jimmy Page, which he views as "sloppy" with his technique. He prefers guitarists such as Van Halen and Slash...

I'm fine with his view, but I think it's short-sighted. Page may be sloppy, but that's only because he can afford it, since he's backed up by Jones and Bonham.
You can't understand Page's guitar if you don't pay attention to the background of Jones' bass.

 
Last edited:
It's been my experience that the vast majority of people that complain about Page being a sloppy player are just mad because they will never play anything remotely as good as Page at his loosest. Zeppelin's live approach of fast-and-loose is why their bootlegs are so sought after. They pushed it every night, even when they didn't have to. Did they make mistakes? All the time. But they also made magic. When someone can capture a fraction of that lightning in a bottle, then I will listen to their critique.
 
Pagey has always been a bit sloppy. However when you consider the copious amounts of sex, drugs, and rock n roll consumed by the band on tour, it's easy to see why. Paige always sounds good on his records but in the studio you have , plenty of time to get things perfect. That said, I once read a book about the making of Zep 4 and in it the author states that when Jimmy Page did his lead in Stairway to heaven he just walked in with a Telecaster. Then he leaned up against the side of a big Tannoy Studio Monitor and knocked out the lead in one take.
 
The guitar solo in Heartbreaker had two (maybe three?) dead-on klunkers.

To my mind, Page's third (or fourth klunker) was allowing the solo to leave the studio in that condition.
Im sorry, but on what planet would you call any note in that solo a klunker?
Number one, it was totally improvised.
Number two, it was meant to be a chicago electric blues tare down, not a Joe Pass jazz masterpiece.